A Quote by Toru Takemitsu
I always want to write erotic music... Not only about the love between men and women, but in a much more universal sense - about the sensuality of the mechanism of the universe... about life.
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Men give love because they want sex. Women give sex because they want love. That's the difference between men and women. Ever notice how when we talk about our love lives, it's always about a man? Singular. All most of us want is one good man. But when men talk, it's about women. Plural. They want as many as they can get.
If I had to make a choice between only writing about sports or only writing about music, I would probably write about music. I'm not sure why that is. There seems to be more to write about with music, just because it's more of a splintered thing. There's more subgenres. With sports, it's more objective in a way.
People just didn't write songs that were so directly emotional in those days. They still don't. Part of Hank's [Williams] thing was that he was opening up about relationships between men and women in ways that nobody else did, and I think that's something that made him stand out so much. His songs are just so straightforward about these really deep feelings that are universal, but they're so hard to write about without sounding sappy or over the top. You think of men in that era - they didn't express themselves that way.
I want my music to be something that people use in order to access parts of themselves. So in that sense, every piece I write is about all emotions at once, about the lines in between. It's never only about one thing or another. It's emotionally getting at those things that we can't really describe - things for which we don't have labels. So yes, it's about something, and it has a use. It's neither about nothing nor about something concrete - it's about what you bring to it as a listener.
There's a lot of material from my life in my books, but they're not really autobiographical, in the sense that they're not about my life. So, in 'A Feather on the Breath of God' I write about my parents, I write about this Russian immigrant, I write about the world of dance, but it isn't an autobiography; so much is left out.
You tend to write as you get older about family love more than you write about romantic love or ooh baby. ... The stuff that you want to celebrate about humanity has always been there and probably always will be.
I've always really been interested in the Pygmalion myth and both what it has to say about creativity and what it has to say about relationships between men and women. I'd been thinking about what I would want to do with that if I was going to write on that theme, and one morning I woke up and Calvin and Ruby Sparks were in my head.
I don't write about love because it makes for easy, passive heroes. I write about how love makes my characters more autonomous, more self-possessed, more opinionated and powerful. I write about characters who pursue relationships that make them the people they want to become. I write about love as a superpower.
There are a lot of great love stories. It's just the best thing. Why wouldn't you write about it? Why wouldn't you want to read about it? But it's hard to write about. It's weird to have such a powerful and universal feeling and hope that you can write that and make it real for people.
It was writing about music for NPR - connecting with music fans and experiencing a sense of community - that made me want to write songs again. I began to feel I was in my head too much about music, too analytical.
When I think about the cause I'm most passionate about, it's all in my music all the time, because I'm always singing about the empowerment of women. Always, even when it's a little love song - it's still about the empowerment of women and this high spiritual nature of love. It's the biggest healer ever.
I don't find it difficult anymore, because these days, Raf is only men and Dior is only women. I found it much more complicated when I was doing Jil Sander for men and women. It wasn't that it was the same, but I'm specific about where I want to go, and when you suddenly have to do two men's collections in the same moment, that was more difficult.
I never thought I was going to make a movie about men. I've always thought we don't have enough movies about women, and if I spent my whole life making movies only about women, there still wouldn't be enough movies about women, so that's a wonderful thing to dedicate my career to.
There's something about Southern women that is so unique yet so universal. Strong southern women are allowed to be soft and feminine and have a sense of humor. But what I love about Southern women in particular is their universality.
I don't write about anything I don't want to write about. I like to think I could write about anything pretty much that I chose to. I have been asked to write songs about specific things, and I've always been able to come up with the goods.
I'm about jobs. I'm about the fence. I'm about borders. I'm about a lot of things. I'm about our vets. I'm about strong military. You know, whether you break it down into men or women or anybody else, I mean, I think people want to hear that and I'm much better at it than Hillary Clinton is.
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