A Quote by Tory Burch

The inspiration starts with the armor my parents collected. The references are subtle, whether in the mix of textures (woven, quilted, pleated) or in the tapestry brocades and florals. The focus is on clean, strong silhouettes with bold embellishments. Accessories reflect the mood - belts with chain details, lace-up ghillie heels and muffs.
I have drawn my whole life. My parents were in the tapestry restoration business, and as a young girl, I would draw in the missing parts of the tapestry that needed to be re-woven. My ability to draw made me indispensable to my parents.
I see BOLD accessories as a woman's armor.
I like to wear classic silhouettes and add a punch to it. I'll wear a high-waist legging and a super-crop top or a see-through top with a nice bra underneath. And I just always try to mix it up with heels or something.
Animals come from nature. They were not designed. All my inspiration comes from nature, whether it's an animal or the layout of bark or of a leaf. Sometimes my patterns are very bold, and you can barely see where they come from, but all the textures and all the prints come out of nature.
The Hitch Hiker's Guide has not been an opera. It has however been a tapestry, if you count a woven bath towel as a tapestry.
The majority of individuals view their surroundings with a minimal amount of observational effort. They are unaware of the rich tapestry of details that surrounds them, such as the subtle movement of a person's hand or foot that might betray his thoughts or intentions.
There’s something completely unnerving about seeing your parents upset. I suppose it’s because they’re supposed to be the strong ones, but that’s not just it. Ever since people are kids they use their parents as some sort of measurement for how bad a situation is. When you fall on the ground really hard and you can’t figure out whether it hurts or not you look to your parents. If they look worried and rush toward you, you cry. If they laugh and smack the ground saying “Bold ground,” then you pick yourself up and get on with it.
If there is a regulation that says you have to do something-whether it be putting in seat belts, catalytic converters, clean air for coal plants, clean water-the first tack that the lawyers use, among others things, and that companies use, is that it's going to drive the electricity bill up, drive the cost of cars up, drive everything up. It repeatedly has been demonstrated that once the engineers start thinking about it, it's actually far less than the original estimates. We should remember that when we hear this again, because you will hear it again.
We also had a team of costumers that would do samples for us, of fabrics, textures, people doing silhouettes of things up on dress forms, just to kind of inform the design process. Through all of that we got to the point that we had to figure out how to light them up. So that was a huge undertaking.
Life is a tapestry woven by the decisions we make.
The tapestry of history is woven of many threads.
I have drawn my whole life. My parents were in the tapestry restoration business, and as a young girl, I would draw in the missing parts of the tapestry that needed to be rewoven.
My motto is to go wild on the accessories - the belts, the hair clips, the jewelery.
With writing ... you must keep in the habit. After a lapse it will take you not an hour, but a week, a month, maybe, to find your mood again - that mood in which things drop from heaven. There's no forcing it; you can't set your notions in front of you, and stare at them till they take shape; they have to come to you whether you ask them or not. ... And you have to be in the habit of that mood! Of inspiration!
I just love details; I love trying to make the reader smell what I was smelling at the time and see what I was seeing. Textures, too - all that kind of stuff is probably my strong suit as far as my writing goes, I would say.
There's nothing I love more than admiring the details and embellishments on the works of art that I wear.
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