A Quote by Tory Lanez

I do a lot of writing. People don't actually know how much writing really I do. — © Tory Lanez
I do a lot of writing. People don't actually know how much writing really I do.
When I'm writing, I'm writing for a particular actor. When a lot of writers are writing, they're writing an idea. So they're not really writing in a specific voice.
Writing is really just a matter of writing a lot, writing consistently and having faith that you'll continue to get better and better. Sometimes, people think that if they don't display great talent and have some success right away, they won't succeed. But writing is about struggling through and learning and finding out what it is about writing itself that you really love.
I read a lot of scripts, and there's a lot of good writing and a lot of OK writing and a lot of crappy writing. And even with the really good writing, it doesn't necessarily speak to me.
Journalism is very much public writing, writing with an audience in mind, writing for publication, and frequently writing quickly. And I know that when I worked daily journalism it really affected my patience with literature, which I think requires reflection, and a different kind of engagement.
I don't know if people realize how much I tour and how much time I spend writing, but I really enjoy it.
Somebody told me I should try writing. Actually, a lot of people tried to get me to try writing, long before I thought I was 'the writing type'.
I feel very much a part of what I'm writing about, and I'm writing about things that concern me on a daily basis. I'm not really interested in writing musical diaries, if you know what I mean.
I love writing. I never feel really comfortable unless I am either actually writing or have a story going. I could not stop writing.
I often tell people who want to write historical fiction: don't read all that much about the period you're writing about; read things from the period that you're writing about. There's a tendency to stoke up on a lot of biography and a lot of history, and not to actually get back to the original sources.
I hate writing. I so intensely hate writing - I cannot tell you how much. The moment I am at the end of one project I have the idea that I didn't really succeed in telling what I wanted to tell, that I need a new project - it's an absolute nightmare. But my whole economy of writing is in fact based on an obsessional ritual to avoid the actual act of writing.
People think that writing is writing, but actually writing is editing. Otherwise, you're just taking notes
My records have a lot of collaborators on them, and when you're writing a book, it's a very insular process that's very confusing and dark. It's a lot of writing and rewriting in a way that I don't do so much when I'm writing songs.
People don't actually, a lot of times, know the game behind the game. If people think that they do, it's a little bit of a naïve assessment of how the [writing] industry works.
It is a singular reaction, this sitting still and writing, writing, writing, or ruminating at length, which is much the same, really.
Writing a book about [Buckminster Fuller] in the sense of deciding how much to - how much biographically to gloss over and how much I can leave out is relatively easy as it is because the true believers already know everything. They know a lot of things that are not true and they know a lot of things that I thought were (and seems there's very good evidence not to believe) and therefore, my starting point was I think to tell his myth because that's what grabbed me.
My writings are an exploration, and I think a lot of writers would tell you this, but in writing, you're not simply putting down things that are already known to you. You're actually discovering in the writing process, you're actually creating knowledge.
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