A Quote by Tove Jansson
It's risky to talk about one's most secret dreams a bit too early.
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What I invest in, while not risky for me, may be too risky for most people.
Can you hear the dreams crackling like a campfire? Can you hear the dreams sweeping through the pine trees and tipis? Can you hear the dreams laughing in the sawdust? Can you hear the dreams shaking just a little bit as the day grows long? Can you hear the dreams putting on a good jacket that smells of fry bread and sweet smoke? Can you hear the dreams stay up late and talk so many stories?
It's risky in a marriage for a man to come home too late, but it can sometimes pose an even greater risk if he comes home too early.
The biggest secret about success is that there isn't any big secret about it, or if there is, then it's a secret from me, too. The idea of searching for some secret for trading success misses the point.
I try not to be too precious about my writing, and I try to be willing to walk away from it for a few hours when something's not working, to let things percolate a bit. I try not to hide myself away from life too much, because I think that's a risky thing for a writer to do.
The secret to The Temptations is the music: simple music about a man loving a woman. We talk about the lady when we need her, when we want her to be there; we talk about ain't too proud to beg. It's simple, you know? You can't go wrong.
Keep braiding one's wavelengths back into oneself. That way they gain all the more external power and surround us with a huge affective and protective zone. Don't talk about this. Never talk about our secret methods. If we talk about them, they stop working.
I get into lab early and leave a bit early, too. So I like to have an hour or two before everybody comes in.
Whenever I give a talk about my work I am invariably asked who my influences are. Not what my influences are, but who.. As if the gutter, misunderstandings, memories, sex, dreams, and books matter less than forebears do. After all, in terms of influences, it is as much the guy who mugged me on Tenth Street, or my beloved dog who passed away much too early, as it was Giotto or Diane Arbus.
There aren't too many women out there who talk about cars. So that one person who I talk the most to about cars is my husband. It constitutes about 90 per cent of our conversations.
For me music is central, so when one's talking about poetry, for the most part Plato's talking primarily about words, where I talk about notes, I talk about tone, I talk about timbre, I talk about rhythms.
And what if we’d been utterly open? Made jokes about the first wife? What if we’d been that kind of family? Well, I would have been different, surely. But not because I knew the secret. For it wasn’t the secret—the secret that wasn’t a secret anyway—that led to the austerity in our lives. It was the austerity that led to the secret. And what I had been marked by, probably most of all, was the austerity. It had made secrets in my life too. Or silences, anyway, that became secrets. That became lies.
I'm like a bit of a feminist, I have kinds of highly political dreams. I'm a dreamer about taking on the patriarchy and all that kinda stuff. So I actually have the secret belief that there are enough people who would consider themselves quote-unquote "other" to support my particular taste.
And be silent for the most part, or else make only the most necessary remarks, and express these in few words. But rarely, and when occasion requires you to talk, talk, indeed, but about no ordinary topics. Do not talk about gladiators, or horseraces, or athletes, or things to eat or drink - topics that arise on all occasions; but above all, do not talk about people, either blaming, or praising, or comparing them.
Though my mom had too many of her own dreams denied, deferred and destroyed, she instilled in me that I could have dreams. And not just have dreams but had a responsibility to make them reality. My mom taught me from a very early age that I could do anything I wanted to do.
My advice for aspiring writers is go to New York. And if you can’t go to New York, go to the place that represents New York to you, where the standards for writing are high, there are other people who share your dreams, and where you can talk, talk, talk about your interests. Writing books begins in talking about it, like most human projects, and in being close to those who have already done what you propose to do.
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