A Quote by Tove Jansson

I don't want to hear about them any more. I could vomit on the Moomintrolls. — © Tove Jansson
I don't want to hear about them any more. I could vomit on the Moomintrolls.
Those damn Moomins. I don't want to hear about them any more. I could vomit on the Moomintrolls.
I don't want to be in a position that could make me vomit, like air travel. I've purloined airsick bags and stuffed them everywhere, just in case I ever feel the need to throw up. I haven't vomited since 1977, but I think about it all the time. I recognize that it's irrational, but I'd rather jump out of a window than vomit.
I just refuse to listen to any more lies. You hear them from FEMA, you hear them from Red Cross and I just didn't want to hear it from him.
I don't like rides. I take everything in life quite literally, and so I genuinely feel terrified on rides and liable to vomit at any moment, and I hate to vomit even more than I fear rides.
It's not that I don't want to hear about that [blow job] stuff, I just want to hear about it immediately. And I want to hear about it on more comfortable terms.
I don't want to hear any drama [about me]. I don't want any negativity. I don't want to hear what's on the blog. I don't care what others say about me.
When meeting royalty, it is very important, no matter how excited you are, not to vomit on them. Instead, vomit on the nearest commoner.
I could vomit, right this moment. I literally could vomit on cue. Yes. Here's the truth of that. We didn't have a big audience, obviously, when we made the show. Very early on, we made a decision that we were going to try to give the fans and the people that were loyal to us something that they felt was special.
I don't want to hear any more women talk about how they want to be... mermaids.
The trouble is, most people are not so generous. Everybody wants love for themselves. I hear this all the time from the women I work with. I hear them say, "I want, I want." I never hear them saying what they want to give.
There's a perception that if an artist produces another artist, they're going to imprint on them. But I'm the opposite. I want to hear that artist; I don't want to hear me - that's the last thing I want to hear. There are a lot of technical studio things I've learned or figured out, and I feel like I could use those things to help other people with what they're doing.
What I've learned from my gurus is that when you hear music, you hear a person, or you hear people, and you hear everything about them in those moments. They reveal themselves in ways that cannot be revealed any other way, and it contains historical truths because of that. To me, that is the most important thing. It shouldn't be a footnote, or the last chapter. It should be the complete thesis about a book on listening.
I always ask young writers, 'Are you certain you want to be a writer? If you're absolutely sure, then do it.' If you really want to write, writing has to take precedence over everything else, except for taking care of your loved ones. It has to be more important than any possession, more important than fame. We hear about just a few writers who get famous, but most of them don't. It's got to mean more than that.
When people hear me sing, I want them to be happy, happy, happy. I don't want them thinking about when there's not any money, or when there's fighting at home. My message is always felicidad - happiness.
Go look at what any liberal says about anybody they disagree with, and especially conservatives, the first thing you're gonna hear them talk about is hate, too much hate. Then you'll hear racist, and then bigoted, and automatically homophobic, intolerant. Just go down the list. And they all believe it about any conservative alive. And, in many of their cases, about any Republican alive.
I want to hear the artist. I want to hear them give me something that I can relate to, other than the fact that everything's about bragging.
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