A Quote by Tovino Thomas

I have no qualms about doing a character who may be below the lead in the pecking order, whether it's a hero or a villain or a comedian. — © Tovino Thomas
I have no qualms about doing a character who may be below the lead in the pecking order, whether it's a hero or a villain or a comedian.
Character artist, villain, comedian, comedy villain, hero - he has been perfect in them all. That's Mohan Babu. His dialogue delivery is perfect.
'm really proud of it. To me, it's a movie about character behavior and the pecking order of the pack, as well as the central character's massive survival guilt.
I'm really proud of it. To me, it's a movie about character behavior and the pecking order of the pack, as well as the central character's massive survival guilt.
If you have not been a villain at a certain point in time, you will never be a hero. And the day you are a hero, you may become a villain the next day.
It really doesn't matter whether it's the villain or the hero. Sometimes the villain is the most colorful. But I prefer a part where you don't know what he is until the end.
I believe the most intricate plot won't matter much to readers if they don't care about the characters, especially in a series. So I try to focus hard on making each character, whether villain or hero, have an interesting flaw that readers can relate to.
Gays seem to be at the bottom of the pecking order: no matter how far down the pecking order another group is, its members still feel superior to and have no problem picking on gays.
In Shoojit's films, there is no hero and villain. Every character has its own space and there is a social message in all of his films whether it is 'Vicky Donor' or 'Madras Cafe.'
Everybody has a hero and a villain within themselves. So it depends upon you to be a hero or a villain. If you show humanity, it will give you satisfaction.
Since most heroes are doing villainous roles these days, that thrill is lost. Earlier, there used to be a hero, a heroine, a villain and such. The villain's entry would generate a lot of curiosity among the audience back then.
The tragic hero prefers death to prudence. The comedian prefers playing tricks to winning. Only the villain really plays to win.
The problem with tactical novelties that might lead to a manager being hailed as a hero is that if they do not come off they are the villain.
It concerns me when I see a small child watching the hero shoot the villain on television. It is teaching the small child to believe that shooting people is heroic. The hero just did it and it was effective. It was acceptable and the hero was well thought of afterward. If enough of us find inner peace to affect the institution of television, the little child will see the hero transform the villain and bring him to a good life. He'll see the hero do something significant to serve fellow human beings. So little children will get the idea that if you want to be a hero you must help people.
My approach to the work is the same, whether I had the lead or a supporting role. I consider myself a character actor in the true sense of the word. Unless I'm doing my autobiography, I'm playing a character.
In a typical Hindi film, there's the role of the hero, the heroine, and the other important character is the villain.
When it's a superstar's movie, it does not matter whether I am a villain, comedian or father. Acting in such movies is always good and special.
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