A Quote by Toyah Willcox

If my 20s were a time when the way I looked was my calling card, then it feels as though my 60s will be a reinvention. — © Toyah Willcox
If my 20s were a time when the way I looked was my calling card, then it feels as though my 60s will be a reinvention.
I am, as it happens, a baby boomer, but not one who feels any broad-gauge nostalgia for the '60s and '70s. My attitude resembles that of my parents, who were born in the '20s and lived through the Great Depression and World War II.
If I have to be the person who opens the door for women to believe and understand and embrace the idea that they can be sexual and look good and be as relevant in their 50s or their 60s as they were in their 20s, then so be it.
I can remember how I sang - a little more nasal-y back then. Listening to those old recordings is like seeing a photograph of yourself from 10 years ago. You're wearing what you thought looked cool at the time. You had your hair styled the particular way you thought looked cool. It's an accurate depiction of who you were and what you looked and sounded like at that point in your life. It doesn't necessarily mean that it aged in a way that it feels as cool or sounds as good to you, or says what you thought it said, 10 years later. That's just the nature of growing older.
The end of the '60s was a terrible time. I was in Los Angeles then, and I remember the night someone ran into the studio and told us about the Manson murders. Then suddenly something happened, the '60s disappeared. The '70s were completely different.
This is the substance of the Way of the Samurai: if by setting one's heart right every morning and evening, one is able to live as though his body were already dead, he gains freedom in the Way. his whole life will be without blame, and he will succeed in his calling.
Soundlessly whispering into the void, my lips moving quickly, silently, without ceasing. Calling his name, calling him to me. Even though there's no use. Even though it's futile. Even though it's way past too late.
But I liked you from the moment I first heard your voice,” he said, “when I had no idea what you looked like. I thought it delicious, the way you bargained for me, as though I were an old rug. Then I loved the way you looked at me. Then I loved the way you ordered me about. I loved your patient and impatient ways of explaining things to me. I love the sound of your voice and the way you move. I love your courage and your kindness and your generosity and your obstinacy and your passion.” He paused. “You’re the genius. What do you think that means?
'Younger' is about reinvention and how age is very much a state of mind. I think the show is ultimately about reinvention. I do think it explores, ultimately, the differences between generations, through the prism of reinvention. That reinvention is possible.
Perhaps the time has come to cease calling it the 'environmentalist' view, as though it were a lobbying effort outside the mainstream of human activity, and to start calling it the real-world view.
There were times in my early 20s where I dealt with some anxiety and depression issues. At that time, it just feels like you're under the water, and you can't get out.
So when people used to call me 'chinki' I thought that okay maybe my mother is Chinese so they are calling me that. It was only in my 20s, when I travelled to the north-east that I realised that it was racist and that the north-easterners were called this and they were not considered Indians just because of the way they look.
In our twenties, when there is still so much time ahead of us, time that seems ample for a hundred indecisions, for a hundred visions and revisions—we draw a card, and we must decide right then and there whether to keep that card and discard the next, or discard the first card and keep the second. And before we know it, the deck has been played out and the decisions we have just made will shape our lives for decades to come.
To my surprise, my 70s are nicer than my 60s and my 60s than my 50s, and I wouldn't wish my teens and 20s on my enemies.
I love that period, between the '20s and the '60s. I love doing period pieces, and those eras are my favorite period in time, music wise, and the elegance and the way of being.
Look at everything as though you were seeing it for the first time or the last time. Then your time on earth will be filled with glory.
Fathers, yours is an eternal calling from which you are never released. Callings in the Church, as important as they are, by their very nature are only for a period of time, and then an appropriate release takes place. But a father's calling is eternal, and its importance transcends time. It is a calling for both time and eternity.
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