A Quote by Tracee Ellis Ross

I don't know that the stereotypical idea of what it is to be a child of somebody hugely famous necessarily comes into play in my life. — © Tracee Ellis Ross
I don't know that the stereotypical idea of what it is to be a child of somebody hugely famous necessarily comes into play in my life.
We're in a horrible, repugnant place now where kids are told it's their right and due to be hugely famous. Not good at their job, not good at anything, just hugely famous. This is not sane. Little girls think they'll be famous if they have vast breast implants and might as well die if they don't.
I'm largely interested in people who are just great actors, and they're not necessarily hugely famous.
I know somebody from university who's called Phil Collins, and I think there's something terribly unfortunate about sharing a name with somebody who either is famous or becomes famous.
To be honest, at that point, just being so fresh to L.A., I was in the mind-set of just getting work, at all costs. But, if you take a step back from it, it's just such a blessing to be able to play somebody like Glenn. Me being Asian American, it's nice to have something to play that's not so very stereotypical. It's also nice to have somebody that I identify with.
I'm somebody who likes to gravitate toward people who aren't necessarily famous.
I didn't necessarily want to be famous growing up, but I knew I would be a good famous person because I'm not offended if somebody comes up to me and knows things about me and wants to engage me in a conversation.
If somebody tells me I'm famous I say, 'I'm not.' I can't see myself as famous and I don't think I'll ever call myself famous. I definitely don't feel famous.
I'm sure there will come a time when I won't be able to, you know, walk around so easy sometimes, or it's just things that I don't necessarily want. I don't really necessarily want to be famous.
I played old men back in drama school. It's just now that I'm drawing level with the age of the characters I play, but I'm fine with that, and I've certainly never envied people who became hugely famous when they were young.
You know, I think a lot of times what happens when we as actors know we're playing a bad guy is we get into bad guy mode. You know what, man? In real life, bad people do good things too and good people do bad things. So you don't necessarily have to be the stereotypical bad guy to still do bad things.
I would have done well as a gypsy child, I think. A circus baby. I coulda played a great street urchin or ragamuffin. Or just been one. I certainly liked entertaining people and making jokes, but I don't know necessarily if that's what your child is prone to that you should necessarily put them in a real working industry at six years old.
If any one idea can justly be called the American idea, it is that a child's circumstances at birth should not determine the station in life that that child will occupy as an adult.
I wasn't a kid who moved out from Iowa with aspirations of becoming a famous star - I was intrigued by the idea of filmmaking and by the idea of what it would be like to play a character in a movie.
If somebody tells me I'm famous I say, 'I'm not.' I can't see myself as famous and I don't think I'll ever call myself famous. I definitely don't feel famous. To me, this is just a job.
I write with the idea that nobody will care about what I've written; I publish with the idea that nobody will care either. Which is why every time somebody cares enough to read a novel of mine, or respond to it - a reader, a reviewer, even my own editor - I'm a little bit amazed, and so hugely grateful.
Any child born into the hugely consumptionist way of life so common in the industrial world will have an impact that is, on average, many times more destructive than that of a child born in the developing world.
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