A Quote by Tracee Ellis Ross
I don't really talk about my personal life. It's a strange and funny and weird thing. Sometimes you have a conversation with someone and the paparazzi snaps a picture of you and people decide you're dating. If I try to answer everything people say, I would be up all night.
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I'm more likely to not invite someone back for not talking. If someone talks a lot, I can usually shut them up and control them. But with people who don't talk, if they don't really want to talk, they probably shouldn't be on this show, and that's fine. They're talented people with things to say, but sometimes people say what they have to say through other means than arguing.
The thing I try to get across to the writers - and I do a lot of writing, too - is that when I do stand-up, nothing I talk about is funny. Everything is really sad and tragic and then I make it funny.
When I was growing up, white people made fun of me. So it was always strange to me as I would gain prominence in hip hop, white people kind of accepted me more and they would talk to me more. It's so weird to me, growing up, thinking about that in my life. It really is a complete change.
I don't need to make an announcement about who I'm dating. It's up to me to decide when and what I want to share about my personal life, and it is up to the audience to decide how they look at it.
It's really weird when people scrutinize every little thing about you and talk about your outfits and your weight and who you're dating... and there's absolutely nothing you can do about it.
People say I talk slowly. I talk in a way sometimes called laconic. The phone rings, I answer, and people ask if they've woken me up. I lose my way in the middle of sentences, leaving people hanging for minutes. I have no control over it. I'll be talking, and will be interested in what I'm saying, but then someone-I'm convinced this what happens-someone-and I wish I knew who, because I would have words for this person-for a short time, borrows my head. Like a battery is borrowed from a calculator to power a remote control, someone, always, is borrowing my head.
The funny thing about facing imminent death is that it really snaps everything else into perspective.
. . . the whole idea of WHAT HAPPENED WAS.... is not about dating. It is more about people who are not committed to who they are or are indifferent about their life in general, which is how I felt about myself when I wrote it. I had turned 40 and I was unhappy and I wanted to write about that. Dating just became the framework. . . . I like all those fringy, weird, nonverbal, quiet, tiny little things, those powerful interchanges between people, things that go unsaid, that people know are happening all the time but nobody wants to talk about. That's what I want to make movies about.
I do get funny people sometimes coming up to me in supermarkets in America with my picture in their pocket, which is a bit strange.
The thing that struck me is so many people that said, "Hey, I've been watching you since I was 12, and I'm 25 now." It was a weird shift, because you start off fighting for an audience based on doing something so strange that only you find funny, and it's weird when other people find it funny. Those people aren't always ready to laugh yet, and there's a sort of standoffish quality to it.
Wikipedia is a strange thing. Whoever gets there first, you know, they decide. Like the picture: You can't choose it! You can't be like, 'You know, I hate that picture of me doing stand-up from 2005 - that doesn't exemplify who I am.' You take it down, and someone puts it back up.
Conversations about films are always funny. I would say a majority of people want to talk about what were the more obvious successes; the big box office films. Other people wanting to be more sensitive to you want to talk about the ones that maybe didn't make a lot of money, but they think you might have a special feeling about. And then other people sometimes want to help you by suggesting that you should have done this or that in the movie, that that would have helped you a great deal in whatever capacity.
Some of the funniest things are just situations in life that are funny. The way people interact. People describing their first kiss with someone, to me, is really funny. When someone goes into detail about each moment of that, I really find that enjoyable to listen to.
People say strange things, the boy thought. Sometimes it's better to be with the sheep, who don't say anything. And better still to be alone with one's books. They tell their incredible stories at the time when you want to hear them. But when you're talking to people, they say some things that are so strange that you don't know how to continue the conversation.
I've never been funny. I don't think I'm funny. People say I'm funny. I go, 'No. No. I'm not.' But again, knowing what it means to film on a TV show and on film, you have to repeat, repeat, repeat. You have to do the same thing a number of times if you're filming a sequence. And to carry that energy in a comedic mode, would be a challenge that I really would frightfully scared, but I'd have to buck up and pull up my bootstraps and say, 'I can do this. Let's figure it out.'
Sometimes people will approach me on the street and ask me very personal questions about my dating life. Fans talk to me like they know me, and it's like, 'You don't know me. You know my character, but you really don't know me.'
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