A Quote by Tracee Ellis Ross

I'm attracted to bold women - I collect them. I met one of my best friends when we both were about 22 and working at 'Mirabella' magazine. I was wearing this blue dress I had borrowed from my mom, and I didn't know I had deodorant lines all over it until my friend signaled to me.
My mom had me when she was 19 or 20. And my father was 22 or something. They were working on whatever they could, both of them aiming to be actors in theater.
My friend George and I were walking on the beach in Norfolk, and there were thousands of [razor-clam] shells. They were so beautiful, I thought I had to do something with them. So, we decided to make [a dress] out of them. . . . The shells had outlived their usefulness on the beach, so we put them to another use on a dress. Then Erin [O’Conner] came out and trashed the dress, so their usefulness was over once again. Kind of like fashion, really.
I didn't finish my dress until about three days before my wedding - I had the flu and was stitching it from my bed. And the tulle came back from India all brown. We had to wash it for hours, but that didn't dissuade me from wearing it.
I had everything you could collect. I had these Spice Girls postcards. I also had the stickers and Barbie girls. I had all five of them. I was a real fangirl. They were actually preaching some cool stuff, the thing about girl power and sticking together with your best girlfriends.
My mom to this day is the hardest coach I've ever had. There were times when my stepdad would look at me and say 'you had a good game' and my mom would be like 'I don't know what you're talking about, you had 2 or 3 turnovers.
A friend told me about the casting notice for 'Queer Eye.' I was in Chicago and I had a contract with 'Esquire' magazine, so had been coming to New York City regularly and thought I'd catch a cheap flight, crash on a friend's sofa and do this hilarious audition that I had no chance of winning.
For me, personally, life in South Africa had come to an end. I had been lucky in some of the whites I had met. Meeting them had made a straight 'all-blacks-are-good, all-whites-are-bad' attitude impossible. But I had reached a point where the gestures of even my friends among the whites were suspect, so I had to go or be forever lost.
We had met with Ben Stiller here in LA when I was shooting The Ring and he was doing Meet The Fockers and we have friends in common. But we didn't know each other well. He's fantastic and we really had a great time on this and we were both laughing at where we were at, this other couple, and how it was mirroring what we were going through as well. It was clever writing in that way.
I met a lot of women in the military with Meg Ryan, and they were remarkably impressive: Competent and strong and not versions of men, but versions of women. And they had stories to tell about how difficult it had been for them.
My mom and I, we have trust within each other because at one time in our lives, we were kind of all that we had, you know? My mom had me, and I had her.
The immaterial blue colour shown at Iris Clert's in April had in short made me inhuman, had excluded me from the world of tangible reality; I was an extreme element of society who lived in space and who had no means of coming back to earth. Jean Tinguely saw me in space and signaled to me in speed to show me the last machine to take to return to the ephemerality of material life.
From the moment we met on 'The Jump' we were best friends. We really enjoyed each other's company and we hung out a lot so I knew that, if nothing else, I had made a friend for life in Spencer.
Both my mom and sister are great cooks; some of the best food I have had were made by them.
There's an old actor's saying about how you don't work with children or animals. I disagree with both of them. Some of the best times I've ever had were working with kids because there's an honesty to them.
Women want you to feel that you're just as attracted to them today as you were when you first met them, and for me, that's the truth.
I started doing flats because women would always apologize for wearing them when they met me, as if they had to be in heels when meeting a shoe designer.
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