A Quote by Tracey Ullman

As you get older, you realize it's work. It's that fine line between love and companionship. But passionate love? I'd love to know how to make that last. — © Tracey Ullman
As you get older, you realize it's work. It's that fine line between love and companionship. But passionate love? I'd love to know how to make that last.
How many people do you know who love their jobs? Did your dad love his job? Was he passionate about it? Because I am. I love it. I love the relationships. I love teaching. I love the competition. I love everything about it.
Love. How do we define this word? We love our family. We love food. We love the weather. We love our shoes. Love that music. Love someone's work. Love a movie. Love a celebrity. Love that time in life. Love love love!
There's a difference between lust and passionate love. Lust can't just creep in. You'll not find it where true love exists, but it has power enough to shatter the world you've worked so hard to create with love, and sometimes, it suddenly changes how you perceived love to begin with. Love then doesn't live there anymore.
There's a fine line between love and hate.Love frees a soul and in the same breath can sometimes suffocate it.
When I was in my early twenties, I fell in love at least 20 times a day. You have to be with someone where you think: if the world was full of people like you, I could not be monogamous. As you get older, you get to know yourself a little more. The older you get, the more you realize what you need. And you also realize how your choice in relationships is influenced by how you grew up. Now I feel like I've explored the dynamic of how I grew up, and I'm free to find someone who's really going to be a wonderful companion.
You know, as I get older, personal happiness is all about love. It's all about love. You know, how I'm loved and how I love my family and my husband. That to me is happiness, when I feel like I am loved and I have a place to love deeply. That to me is happiness.
Everything is just make believe. They're just different versions of make believe. I love the period of this movie [The Finest Hours]. I love the '40s. I love the '50s. I love the style of the clothes. I love how the women looked. I love the dances. I love the music. I love the amber of the lights and the cars. I'm in love with all of it.
I love the '40s. I love the '50s. I love the style, I love the clothes. I love how the women looked. I love the dances. I love the music. I love the amber of the light. I'm just in love with the cars. I'm in love with all of it.
I'd love to work with Missy Elliott. I'd love to work with Bonnie Raitt. I'd love, love, love to work with Barbra Streisand. I'm reaching, because why not? You don't know what's going to happen in this life.
You asked for a loving God: you have one... The consuming fire Himself, the Love that made the worlds, persistent as the artist's love for his work and despotic as a man's love for a dog, provident and venerable as a father's love for a child, jealous, inexorable, exacting as love between the sexes. How this should be, I do not know: it passes reason to explain why any creatures, not to say creatures such as we, should have a value so prodigious in their Creator's eyes.
I usually get approached by older white ladies of a certain class, with their pearls and, you know, their Talbots on and everything, and they're like, 'We just have to say, we know we're not your demographic, but we love Paper Boi; we really love this show, and we love what you're doing.' It's totally cool.
Its a fine line between love and stalking.
If you want your life to be a small part of eternity, to be lucid even in the heart of madness, love... Love with all your strength, love as though it is all you know how to do, love enough to make the gods themselves jealous... for it is in love that all ugliness reveals its beauty.
I love 'Love Actually.' 'Love Actually,' there's, like, nine stories in that movie. Three of them are good. But watching that movie, I get emotional, I get choked up, my wife makes fun of me. I don't know if as you get older you get sappier and sentimental.
There is a very fine line between love and nausea.
To do stories that I love, scripts that I love, and work with people who are passionate about them and passionate about projects - whether that's on stage or television or film, that's the kind of environment I want to work in.
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