A Quote by Tracey Ullman

I never wanted to do political satire because it seems too surface to me. — © Tracey Ullman
I never wanted to do political satire because it seems too surface to me.
For me, 'Gulabo Sitabo' is a satire... I wanted to do satire and I think it's turned out exactly how I wanted it to be.
I loathe my name because it is mine and also because it is not mine; it is at once too intimate and seems to have no connection with me. Perhaps because the name is quite common, it never seems to fit me, or fit me alone. Nevertheless, when I see the name, I always feel a peculiar sense of shame.
It’s a marvelous thing, the ocean. For some reason when two people sit together looking out at it, they stop caring whether they talk or stay silent. You never get tired of watching it. And no matter how rough the waves get, you’re never bothered by the noise the water makes by the commotion of the surface - it never seems too loud, or too wild.
Satire is at once the most agreeable and most dangerous of mental qualities. It always pleases when it is refined, but we always fear those who use it too much; yet satire should be allowed when unmixed with spite, and when the person satirized can join in the satire.
What happened was, I always wanted to be a singer/songwriter kind of guy like a James Taylor or Crosby, Stills and Nash type of thing; I went to a lot of coffee houses and used to watch all those guys, but I never had the nerve to get up and do it because singing seems so personal and intimate to me. It was too revealing.
I'm not good for you. I don't know why you make me want you so bad. I was angry with myself when I said all that earlier. I was mad because I wanted you in a way I'd never experienced before. Before you, I just wanted to excel in football and school. I wanted my parents to be proud of me. But now, I want other things too. You get to me in a way I don't understand
It seems to me it would be pretty awful if Canadians came to choose political leaders not for their political ideas and actions, but because of their adherence or their devotedness to one faith or another.
My mother didn't want me to be a feminist, a radical, political person, because she was scared. She wanted me to be protected and safe, but my life never was.
With The Nightingale, I had been kicking the idea around for years. I was frightened to write it because on the surface it seems so different for me.
If we ban whatever offends any group in our diverse society, we will soon have no art, no culture, no humor, no satire. Satire is by its nature offensive. So is much art and political discourse. The value of these expressions far outweighs their risk.
There is this looking at the world as shapes and patterns and colors that have meaning, and you can't deny the superficial because the superficial is what meets the eye. The content can never be disconnected from the surface, and this active interest in surface can never be disregarded from the good art that we admire.
I've never wanted to grow up too fast. I wanted to wear a sports bra until I was 22! ... The allure of being sexy never really held any excitement for me. I've never been in a terrible rush to be seen as a woman.
I just think everyone knows you go on those [political satire] shows if you're a politician to, "humanize yourself" - to show, "Hey, I can take a joke." Well, why should satire be in the service of humanizing these people who are supposed to be the target of our venom and vitriol? I think that's unseemly.
Audrey, it seems to me, never strove or hoped to leave a lasting legacy with her films - she was far too modest for that. But what I think she would have wanted, had she been given more time, would have been to continue her work for children because she knew that is a task with so much to be accomplished.
I try not to focus on politics too much - I would never be described as a hugely political woman - but the fact of the matter is, just me being a female, immigrant, stand-up comedian, single-mother ... that is political. We still live in a world where a woman with a voice is a political gesture.
My father always encouraged me to do whatever I wanted, providing I was happy. He wanted me to go to school, but because I never wanted to, it was the only thing we argued about.
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