A Quote by Tracy Chapman
I really love playing music with other people. It's more fun to be on the road with others. It's kind of lonely out there when you play on your own!
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I really enjoy playing for hours and hours. DJ sets where you turn up over an hour and you're on a festival stage, people basically expect much more pounding than I ever would play. I just feel like a fish out of water when I do those. They want something really kind of aggressive; that's not really the kind of music that I'm into.
A friend of mine once told me that I can't screw up when I play my own music. I also take voice lessons, play other peoples' songs out of music books, and occasionally figure out how to play other people's music from records. This keeps my ears, fingers, and mind working.
A friend of mine once told me that I can't screw up when I play my own music. I also take voice lessons, play other peoples' songs out of music books, and occasionally figure out how to play other people's music from records. This keeps my ears, fingers, and mind working
I think you have to love yourself and you have to have a strong sense of self-love in order to really show up for other people, because if you love yourself, you're not questioning your own mind any more and you are really able to be present and available for others.
When I first started looking at Twitter, I followed people like Steve Martin, who will just write the funniest non sequiturs now and then, which I thought was really fun. That's kind of the road I've taken. Every now and then, something comes into your mind and you put it out there. It's very innocuous. I think it's kind of fun.
As a songwriter, you tend to develop your own style, your own technique, based around what it is you're trying to write and perform, in terms of your own music. So a way of evolving a guitar style as a songwriter is much easier, I think, than developing a true style of your own just from listening to music or playing other people's music.
Of what use is the universe? What is the practical application of a million galaxies? Yet just because it has no use, it has a use - which may sound like a paradox, but is not. What, for instance, is the use of playing music? If you play to make money, to outdo some other artist, to be a person of culture, or to improve your mind, you are not really playing - for your mind is not on the music. You don't swing. When you come to think of it, playing or listening to music is a pure luxury, an addiction, a waste of valuable time and money for nothing more than making elaborate patterns of sound.
The one that achieved the greatest amount of success is the Eagles. And because it was really successful, it was a lot more fun. It still is. We get a chance to play music that a lot of people really relate to, and to play places all over the world. That's fun.
I love working with other actors and other people - you know, stand-up - it's lonely; it's just you out there and the audience. But it's fun working with other actors. I love doing that, too.
I've been doing four-track songs by myself since I was like a teenager, where I'd sing in a way that I ... I just didn't think other people would like it, so I didn't play it for them but eventually I got over that, which I'm happy that I did, because it's kind of a drag to be playing a kind of music that you don't really like as much as another kind.
I am playing the music I love and I really play it from my heart, and whatever the out form is - it doesn't matter whether it's art or music.
I love the music, but being on the road ain't a piece of cake, but it is real rewarding. You've got to - all those people can't come to my house, so I've got to go out on the road and play for them.
I was interested in a whole range of music that I used to play, popular music -- particularly American music -- that I heard a lot of when I was a teenager," "I think at a certain point it dawned on me that myself playing this music wasn't very convincing. It was more convincing when we played music that came from our own stock of tradition. ... I certainly feel a lot more comfortable playing so-called Celtic music.
See, I have a different type of music from other peoples. They playing the other kind of blues, and I'm playing cotton-patch blues.... Ain't nobody now can play the blues that I play.
There's something really sweet about the way he's playing the part and he's kind of irresistible in a way. They're both really lonely. That's kind of established from the very beginning in the movie. The way they meet is just classic, lonely losers.
I really love headlining. Opening up is fun - getting to play for all these people who might not know you - but it's so much easier sometimes playing for people who know all your songs: you get that instant feedback.
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