A Quote by Tracy Chapman

I think of the audience the way I would think of another person: You meet someone, then you take it from there; you see what's interesting to both of you. — © Tracy Chapman
I think of the audience the way I would think of another person: You meet someone, then you take it from there; you see what's interesting to both of you.
Jeremy tried to be an interesting person. The trouble was that he was the kind of person who, having decided to be an interesting person, would first of all try to find a book called How to Be An Interesting Person and then see whether there were any courses available.
I don't know if there is someone for everyone. Every person is so different and I don't think there is an exact match for every person. If you meet someone and they have 20 of the 25 things you want in a person, then you're pretty lucky.
I think it's normal that, the first time you meet Federer or Murray or Djokovic, you're going to get nervous. But after a while, they become normal opponents, people you see every week. That's the way you have to think. You can't think of them as legends. When you see someone on court, you have to treat every opponent the same way.
Your understanding of another person is limited by what you think you already know. So when you just listen, the person you meet won't match your preconception. The exciting thing is that you usually meet someone much wiser and kinder than you expected. You might also lose track of your ideas about who you are.
It's interesting to have a conglomeration of people that covers the strata from A to Z... There's a certain element of the audience that's intellectually oriented, into the lyrics... then there's another element of the audience that's into a sex trip. I'm into both of them.
I think people lie on the Internet. I would prefer to meet someone in person, and I need to have chemistry when we meet and spend a little time, and have a couple of dates.
It used to be irritating just because someone can meet you and before they would get a chance to get to know you, they’ll go find someone else’s story about who I am. For me personally, I just always think it’s more interesting to get to know the person myself.
I don't think about the audience, I don't think about what makes them happy, because there's no way for me to know. To try to think of what makes for entertainment is a very Japanese thing. The people who think like this are old-fashioned. They think of the audience as a mass, but in fact every person in the audience is different. So entertainment for everyone doesn't exist
I think you have to do the stories that interest you and hope an audience likes it, rather than doing stories that you think the audience will like, whether you like them or not. I think there has to be something that you find compelling and interesting, and then hopefully an audience will agree with you.
I want to venture into film more, and I think that a nice way to transition into doing that would be a documentary. I think it would be interesting to find one person that really fascinated me or maybe a band and travel with them, but I don't think I could do it like I used to do it.
If you're a person and care about other people - I don't think I have any sort of special understanding or anything, I think any feeling person would experience similar things if given the same opportunities to see the things I've been lucky enough to see and meet the people I've been lucky enough to meet.
The thing is that honestly we haven't had an audience. And we have a chance to have an audience now. Which is great because I think we've sort of evolved as a band to the point where I think we might actually be interesting to go see.
I think the beauty of the film industry is that if another person tries to become another person or act like another person or imitate another person, they don't really get too far. When that person starts to realize who they are and what they can bring to the table, they start to blossom and grow. With that, it's not so much me looking towards my predecessors who have paved the way in the industry - it's more getting inspired. I get little bits and pieces of what I can take from any and everybody.
Every person is so different and I don't think there is an exact match for every person. If you meet someone and they have 20 of the 25 things you want in a person, then you're pretty lucky.
I think it's unhealthy to listen to what people say. My dad used to always say, "Don't believe in your own hype!" I was confused at the time: "Dad, there is no hype on me." But now I understand what he was saying. If someone says, "I think you're amazing" and someone says, "I think you're awful," I would like to have the same reaction to both, to be confident and calm enough to be able to take both of those and not be affected by either.
I see the audience as the final collaborator. I think it's kind of bullshit when people say, "I'm not interested in the audience reaction." I'm like, "Then why do you do theater? You can write a book, then you don't have to see how the audience reacts." It's a living, breathing thing.
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