A Quote by Tracy Chapman
Everyone is looking for connections between the songs. I don't usually approach a record as a concept. There's no overriding theme I'm trying to represent. It's all about the individual songs.
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That's what is so great about being able to record a 13-song album. You can do a very eclectic group of songs. You do have some almost pop songs in there, but you do have your traditional country, story songs. You have your ballads, your happy songs, your sad songs, your love songs, and your feisty songs.
I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
Making a record? You've got to have the song, then you create a record. I think it's the same with a live performance. If the material is strong, you're already 90% there. I always tell young people it's all about the music, the songs. Work on the songs, work on the songs, work on the songs.
I had a long distance relationship going while we were writing the album so a lot of it is about that constant struggle— you look up at the moon and wonder if that person is looking at it too. I was trying to write love songs that weren’t sappy Ben Affleck movie songs, but kind of a … man’s love songs
With our first record, we wrote concept songs but not a concept record.
There will be slow songs, sad songs, happy songs, songs about boys, and songs about being who you are. I'm making sure I'm happy with all of the songs, because if I am not happy with them, I can't expect anyone else to be, you know?
I was talking to my dad about the stuff he grew up listening to, and 'Operation: Mindcrime' is a record that he had always talked about around the house. He always talked about it as the 'greatest concept album of all time.' One day, I started listening to it, and it just hit me. I was like, 'These songs are all hits. They're all huge songs.'
I'd always wanted to do an R&B and soul record; a friend with a studio asked to come by and record a couple of songs, maybe just make a 45. Then the songs started to pour out, and pretty soon we had eight or 10 songs down.
Normally when we go in and write the songs we write, we think about doing a cover, but never a covers record. That would be, for us, a concept. We don't want to have a concept!
I was never particularly a part of the following of tango; I just liked it... most of all, I recognized that the urban content and the approach seemed very familiar and very connected to the songs that I was doing, the kind of songs that I wanted to write - the songs about the street.
I think we're definitely playing up to characters. We see ourselves as a pop band. I don't have a pseudonym because I don't really need one, because I've got a weird name, but everyone has a stage name, and it's about a certain amount of escapism, really. The songs are inspired by the personal, but because there are seven of us that work on the songs together, they end up becoming Pipettes songs, rather than about any one individual.
I want nice songs. I don't want to worry about where I have to place songs on a playlist. I'm looking to make genuine, great songs and put them together into albums.
A lot of the songs I write are like songs that I've never been able to find on any record, but that I've always wanted to hear. Or maybe in a style I already loved, but I was looking for something in it that I wasn't hearing yet.
I was immersed in popular songs of the time, of the '30s and '40s. I was writing songs, making fun of the attitudes of those songs, in the musical style of the songs themselves; love songs, folk songs, marches, football.
But when you're six records deep, every record has one or two songs that need to be in every set, so you're already looking at 12 songs that you know you're going to play.
A lot of times, that's hard to capture: what you sound like in person versus what you sound like on record. If I had total control, I would do a lot of the old songs - not only my songs but Sam Cooke songs, Luther Vandross, melody songs. That's what I would really do if I had an opportunity to do a record.
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