A Quote by Tracy Chapman
So much has happened to obscure the dialogue about race and about gender and discrimination in general, especially where those things touch on economics.
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'RuPaul's Drag Race'... is very little about boys who dress up in girls' clothing: it's very much about grit, integrity, heart, power of perseverance, and the power of love. It's also opening a dialogue up about the persecution and the marginalization of trans people, of queer people, of gender non-binary and gender fluid people.
. . . the whole idea of WHAT HAPPENED WAS.... is not about dating. It is more about people who are not committed to who they are or are indifferent about their life in general, which is how I felt about myself when I wrote it. I had turned 40 and I was unhappy and I wanted to write about that. Dating just became the framework. . . . I like all those fringy, weird, nonverbal, quiet, tiny little things, those powerful interchanges between people, things that go unsaid, that people know are happening all the time but nobody wants to talk about. That's what I want to make movies about.
Where writers are from is one of the world' s most boring topics. Where we're born, gender or race, wealth or poverty - those are the things we spend time talking about. Stop trying to label me. I'm a writer. Worry about whether I'm any good!
When I get a case about discrimination, I have to think about people in my own family who suffered discrimination because of their ethnic background or because of religion or because of gender. And I do take that into account.
I think that it is too common for white feminists to say, 'We want some diversity. Come join our movement about gender, but we want you to check the class and race at the door.' And you can't undo that braid of race, class, and gender: all three intersect with each other, so it's important for more education to be done about that.
Intersectionality has made an important contribution to social and political analysis, asking all of us to think about what assumptions of race and class we make when we speak about "women" or what assumptions of gender and race we make when we speak about "class." It allows us to unpack those categories and see the various kinds of social formations and power relations that constitute those categories.
I like to read general biology - things about the immune system and advances in that area - because it lays the foundation for my part of the dialogue at the foundation about what things we ought to pursue.
I love dialogue, but I'm also terrified of it. In all my movies, I've done my best to cut out as much dialogue as possible. I love the spaces in those silences. Even in 'Pete's Dragon,' I was so happy that the first twenty minutes have about five or six lines of dialogue.
I conceived of myself in large part as a teacher. There wasn't a great understanding of gender discrimination. People knew that race discrimination was an odious thing, but there were many who thought that all the gender-based differentials in the law operated benignly in women's favor. So my objective was to take the Court step by step to the realization, in Justice Brennan's words, that the pedestal on which some thought women were standing all too often turned out to be a cage.
Something that happens to me is that I'll write a play specifically from my own experience, and then I'll inevitably be told that I'm being tunnel-visioned about it. People always ask, 'What about that other race? Or discrimination toward those people?'
My mother and my father taught me to look at the actual problem, not the face of it, not the veneer of it. So for me, I was never - I was impressed that it - racially, I was impressed, right, but now in America it's about economics, and it's been about economics, and honestly, everything's been about economics since I don't want to say the beginning of time, but it's been about economics for a long while.
I share this view, that Hillary Clinton did not get a fair chance with both media perspectives and the subtleties on the gender discrimination. I think there was in the media particularly there's a zone of protection around Senator Obama on race where none existed on gender.
As a woman of color, I've come to rely on straight white men telling me my experience of the world has nothing to do with my gender, race or class. (Unless something good happens to me, in which case they tell me my gender, race and/or class is exactly why that thing happened).
Seriously, I am not a person that I think much about what happened or what didn't happen or what could happen. I happy about the things that happened to me. I'm a lucky person, for sure, for all the things that happened to me during my life.
We all ought to be equal and not see discrimination based on gender, race, or sexual orientation.
This is one of the things I don't like so much about French cinema - we have tendency to concentrate on actors and dialogue and we don't care so much about the visual aspect. I love when you use all the elements at your disposal.
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