A Quote by Tracy K. Smith
I think humans have always felt watched back by whatever is out there flickering in the distance. What excites me is what the imagination creates, not simply in explanation of what is there but also to explain or justify the feeling of awe and attachment that the heavens inspire.
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Science offers us an explanation of how complexity (the difficult) arose out of simplicity (the easy). The hypothesis of God offers no worthwhile explanation for anything, for it simply postulates what we are trying to explain. It postulates the difficult to explain, and leaves it at that.
Probably also due to the political situation getting just worse and more extreme, but also this distance and this sadness of this feeling that I gave up - that I surrendered, that I felt that I lost my small war. So the whole column is different than the columns that I used to write back home, back in Jerusalem.
It's hard for me to always explain my songs, and people always expect a meaning and to know what it's about. Sometimes when I write these songs I'm feeling a particular emotion, so to then come back and explain what I was feeling or put it into words is quite difficult.
I realized [using my own voice] is what creates the performance in the performance art and that's what helps creates the distance for the viewers, like the distance that I get when I step back.
Music has always been my back door to life. It is important for people to find something that excites them. I like the concept that if you do what excites you, you will be rewarded generously, whatever form reward takes, which is not necessarily money.
In my humble opinion, propaganda is one of the most evil tools humans have used against humans throughout history to justify wars, justify atrocities, justify evil. ISIS has taken it to a new extreme.
You might be raised as a boy in a very conservative environment and then somehow, at some point, there was a side of me that felt really powerful and sensual in a way that was more feminine. For me, it's not about living my life as a boy or a girl - but I'm also not trans - it's just that one day you wake up feeling masculine, and one day you wake up feeling feminine. The flickering in between those two states is what's most fertile for me.
I love video games. I'm also slightly in awe of them. I'm in awe of their power in terms of imagination, in terms of technology, in terms of concept. But I think, above all, I'm in awe at their power to motivate, to compel us, to transfix us, like really nothing else we've ever invented has quite done before.
I don't think God is an explanation at all. It's simply redescribing the problem. We are trying to understand how we have got a complicated world, and we have an explanation in terms of a slightly simpler world, and we explain that in terms of a slightly simpler world and it all hangs together down to an ultimately simple world. Now, God is not an explanation of that kind. God himself cannot be simple if he has power to do all the things he is supposed to do.
I've always felt like Alice in Wonderland when it comes to fashion. I keep falling further down the rabbit hole until I'm dizzy with options. It's overwhelming, so I have one rule: I wear whatever excites me.
Sizing was also important to me; I wanted to make sure that nobody felt alienated or felt like they weren't thought about in the process of this brand. I wanted to make sure that everyone felt included, which brings us to the gender neutral pieces - the idea of wearing what you want and whatever makes you feel comfortable and confident. I think that's the overall feeling of the Daya collection.
Access to knowledge is the superb, the supreme act of truly great civilizations. Of all the institutions that purport to do this, free libraries stand virtually alone in accomplishing this mission. No committee decides who may enter, no crisis of body or spirit must accompany the entrant. No tuition is charged, no oath sworn, no visa demanded. Of the monuments humans build for themselves, very few say - touch me, use me, my hush is not indifference, my space is not barrier. If I inspire awe, it is because I am in awe of you and the possibilities that dwell in you.
I did this campaign that was called "Back to the Basics" where I went back to the street, went back to my block, and really felt the people. We've got to go back to that sometimes. We distance ourselves from that and we see it from afar. Some people can't relate back to that; once you're out of it, they don't want to relate back to that. It's always good to get back to the basics, though. You've got to touch the roots, you've got to touch those people. Regardless of what's going on, people always respect that.
But also I wanted him to go away and leave me be. I was granted one weak grace. Back in the room where the green chair was still warm from his body, I blew that lonely, flickering candle out
I think that it gave me a really strong feeling of my life force and a confidence in myself. I felt like I was a man. Before that point for some reason, I always felt I was a boy (laughter). In fact, they called me the baby on the ship 'cause I was the youngest guy on the ship. But I always felt that way.
Henry Corbin creates the world - most of all his examination of the imagination and what the imagination was for him. Some philosophers would think of the imagination as a synthetic ability, how you put different things together. Artists more think of the imagination as creativity. So I really like the way that he presents the imagination as a faculty that allows one to experience worlds that are not exactly physical but are real nonetheless.
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