A Quote by Tracy Letts
When I write a play, and we read it for the first time, the great fear is that everybody is going to say, 'You're a bum and you can't write. This stinks.' and throw the script in the garbage. The great hope is that they're all going to lift me up on their shoulders and carry me to the streets, singing, 'He's a genius, he's a genius!'
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I've worked with genius performers. Sometimes they created great work with a bad script... but not often. Play it safe: write well.
When people asked me what I was going to do when I grow up, I always said, 'I'm going to be a writer. I'm going to write screenplays. I'm going to write books. I'm going to write plays. That's what I'm going to do.'
This is how great intellectual breakthroughs usually happen in practice. It is rarely the isolated genius having a eureka moment alone in the lab. Nor is it merely a question of building on precedent, of standing on the shoulders of giants, in Newton's famous phrase. Great breakthroughs are closer to what happens in a flood plain: a dozen separate tributaries converge, and the rising waters lift the genius high enough that he or she can see around the conceptual obstructions of the age.
The most important thing is you can't write what you wouldn't read for pleasure. It's a mistake to analyze the market thinking you can write whatever is hot. You can't say you're going to write romance when you don't even like it. You need to write what you would read if you expect anybody else to read it.
There were some great clinicians in the 20th century - great men. Freud was a genius; Jung was a genius, Carl Rogers was a genius - there's a half-dozen psychologists of the 1950s and humanists of the 1960s.
I just try to put the thing out and hope somebody will read it. Someone says: 'Whom do you write for?' I reply: 'Do you read me?' If they say 'Yes,' I say, 'Do you like it?' If they say 'No,' then I say, 'I don't write for you.'
I do not despise genius-indeed, I wish I had a basketful of it. But yet, after a great deal of experience and observation, I have become convinced that industry is a better horse to ride than genius. It may never carry any man as far as genius has carried individuals, but industry-patient, steady, intelligent industry-will carry thousands into comfort, and even celebrity; and this it does with absolute certainty.
Talent warms-up the given (as they say in cookery) and makes it apparent; genius brings something new. But our time lets talent pass for genius. They want to abolish the genius, deify the genius, and let talent forge ahead.
I write an actual script rather quickly - a draft will take me two weeks - but I write a lot of drafts. My big thing is I don't re-read. When I write, I never re-read back. I'll send it, because if I re-read back, it will cripple me.
Each time I write a book, every time I face that yellow pad, the challenge is so great. I have written eleven books, but each time I think, ‘Uh oh, they’re going to find out now. I’ve run a game on everybody and they’re going to find me out.
If I were to write my title like going through the airport and you have to put down what you do? I would literally write ‘creative genius’.
There are no rules. You can write a story, if you wish, with no conflict, no suspense, no beginning, middle or end. Of course, you have to be regarded as a genius to get away with it, and that's the hardest part - convincing everybody you're a genius.
To be a writer is to sit down at one's desk in the chill portion of every day, and to write; not waiting for the little jet of the blue flame of genius to start from the breastbone - just plain going at it, in pain and delight. To be a writer is to throw away a great deal, not to be satisfied, to type again, and then again, and once more, and over and over...
We write and write and write until we think, 'If we have to shoot this script, we'll be happy, and it's going to be a great movie.' I meet with all the actors two weeks before, and I ask them, 'What lines don't work? What is uncomfortable for you? What jokes do you think aren't good? If you're not getting it, here's what the joke is.' You fix it.
I am convinced that each work of art, be it a great work of genius or something very small, has its own life, and it will come to the artist, the composer or the writer or the painter, and
say, "Here I am: compose me; or write me; or paint me"; and the job of the artist is to serve the work.
Because my musical background is so diverse, it lends me to have very much my own style and it helps me to relate to the music as I'm going to play it. I just write. And if it comes out country, it's a country song. The funny thing is, I write all across the board. I just write what hits me at the time.
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