A Quote by Tracy Letts
I'm just a Chicago actor who's a playwright. Even with the success of 'August,' the people in town who come to our theater know me by sight, because they've seen me onstage so much.
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People call me a theater actor, but I'm just an actor. But I tell my friends all the time - especially a lot that do theater and haven't done a lot of TV/film - that you have so much more control over your work onstage. When you go onstage, you can really see the difference between people who can really do it, and people who are just kind of pretending to do it. There is no editor, there's nothing that's going to stop the actor from showing what they can do unless it's not a well-written role.
Chicago theater vs. New York theater. There's just nothing to say about it really. If you've seen Chicago theater, you know that the work is true to what is there on the page. It's not trying to present itself with some sort of flashy, concept-based thing. It's about the work, and it's about the acting you're about to watch. So acting-based theater feels like it was born there to me.
I come from Nova Scotia, and I'd never seen a theater or been inside of a theater. When I was 17, my dad asked me what I wanted to do, and I said I thought I would like to be an actor. I didn't have any idea what it was to be an actor. None. I'd wanted to be either an actor or a sculptor, which are both essentially the same thing. That's how it all started for me.
I've never seen a theater community to rival that of Chicago. Neither New York nor L.A. has the raw talent or integrity that Chicago theater has, and I think it's because Chicago doesn't have Broadway or the film and TV business to distract it.
Robert De Niro inspires me as a young actor; even at that age and even with that success you have to come to work fully prepared and ready to dive into it, it doesn't matter how far in your career you are. And that's what he did. It was a real wake up call for me because I know actors who let success get to their head and then it affects their work.
You know I'm a Chicago kid, and Chicago will always have a big piece of my heart. But with Milwaukee - for me it was just love at first sight. As soon as I got here, I was like, Wow, this is the place for me.
It's a tough town, it's a loving town, it's a supportive town, and that's why so many great news people, journalists have come through Chicago or are from Chicago.
I don't know about the press, but I know in the town where I live everybody was aware that I was in Africa, because I remember after I got back some of the people told me that Mayor Dura of our town said he just wished they would boil me in tar.
Being a lawyer, even in a city as large as Chicago, is like being a citizen of a small town. I love watching the life of the town play out. You know, the rise and fall of individual lives in the entire community is just fascinating to me.
I think about Chicago as being a very actor-centered theater town, and people aren't in it to get to the next level, like movies and television. We're there for the love of the theater. So I think it fit right into my particular skill set, which is I love performing live.
I was working in Chicago, in theater and in commercials and anything that anybody would let me do. When I moved to L.A., I had made a choice to be a character actor, meaning that I wanted to become somebody else. That's what attracted me to becoming an actor in the first place.
I don't have much to compare it to because I really didn't know much about theater. After I signed on, I started reading a lot of Sam Shepard plays just to brush up on my history and do some research. What's great is that Sam's been here and he's been in rehearsals with us. Sometimes you don't even notice him come in; he's just sitting there in the theater seats watching you.
Sometimes when people get success they forget about the people that pointed them there or championed them into this position. I pride myself on really understanding. I wouldn't even call it keeping it real. I just call it keeping it me. When they tell me, "You're doing what you're supposed to do," it makes me go ten times even harder, because I know that there are people on the sidelines and they're watching me. They're cheering for me. I want to be the best me I could possibly be when it comes to them.
I've always wanted to do theater in Chicago. Chicago is a big theater town-and, in some ways, I think this city is savvier and smarter than New York. Sometimes, I think it's a little too chic to go to theater in New York these days.
You know, people come up to me saying, 'Watching you gave me the courage to come out to my parents,' or, 'I watched you and I decided to start doing drag,' or, people will just come up and say, 'It's you.' Like they can't even form sentences because they're crying because they're seeing someone they admired on television.
I went to Northwestern in Chicago, in Evanston, and then I ended up trickling down in Chicago theater. I did a bunch of plays, but I was non-equity. For a lot of people, non-equity means you're not yet professional. But for me, if you're in a mainstream theater, you're doing something real.
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