A Quote by Tracy Morgan

George Carlin is an influence on a generation. He made me want to do comedy. — © Tracy Morgan
George Carlin is an influence on a generation. He made me want to do comedy.
My wife and I have long discussions about [George] Carlin, and we refuse to accept that he died an atheist. It's just, confounding. When I talked to Kelly [George Carlin's daughter] about it, she said that George Carlin once took her at about 12 years old and said, "I've figured it out." And he says it in one of his specials sort of - he goes, "We're all energy and we're all connected. That goldfish you have, you, me, that boot laying in the street, we're all pieces of light to a giant electron.
Everybody is different. Some comedy is more musical like Steven Wright. His is a pillar of comedy to me. He invented a whole form and all his jokes are poems. So it's different. I wanted to do it like George Carlin. Now I do it like me.
George Carlin is kind of my template now because George Carlin before was straight laced regular comic and he had short hair, a tie, suit, nightclub guy. Then he said screw it, let his hair grow, just started telling what he thought was the truth. So that's what I'm trying to do.
I loved George Carlin and Dean Martin. I was one of those kids who had every comedy album.
I loved George Carlin... I used to sit in front of the TV and watch the HBO comedy specials. I loved those comedy specials.
One of the reasons I always looked up to [George] Carlin is he looked like your grandfather but, acted like your best friend. Most of the adults in my world were adults and acted like adults and had job-type jobs and bills and pressures and stopped playing a long time ago. And George Carlin was a guy that the more he aged the younger he seemed. It was odd because he was still sagely and wise. But he was such a role model for me.
When I was growing up, I had more comedy albums than musical ones. George Carlin, Cheech and Chong, Steve Martin, Richard Pryor - those were my main men.
If anyone e-mails you something "by George Carlin," there's a 99 percent chance I did not write it. I didn't write "Paradox Of Our Time." I didn't write "George Carlin On Aging." I didn't write a eulogy for my wife after she died. I didn't write the New Orleans thing. I didn't write "I Am A Bad American." None of them. You know what I've decided to do? I'm going to get a little cheap put-it-together-yourself website called NotMe.com.
I just liked stand-up comedy so much. I used to memorize Bill Cosby albums and other people's albums, George Carlin, Flip Wilson.
Young stand-ups, we ought to do comedy in George Carlin's spirit, in Richard Pryor's spirit, in Jackie Gleason's spirit, in Lucille Ball's spirit, because they did it with the spirit.
George Carlin put it best. He said, "My old act was so easy to do because there was so little of me in it."
When I used to see Rick Moranis do something, to me that was immediately funny. Or George Carlin or Martin Lawrence.
If I can make you laugh and learn, I want to be like George Carlin and Richard Pryor and Eddie Murphy and Sam Kinison and Chris Rock and Dave Chappelle. I want to be of that ilk, I don't want to just make you laugh, I want to make you think.
I love comedy and I would write things to myself as an exercise in writing. I didn't do well for years, and I quit. I started to break down why I was afraid and started to look at people I admired, like Richard Pryor, Eddie Murphy, Freddie Prinze, George Carlin and all.
I was a huge fan of comedy and movies and TV growing up, and I was able to memorize and mimic a lot of things, not realizing that that meant I probably wanted to be an actor. I just really, really amused myself and my friends with memorizing entire George Carlin or Steve Martin albums.
I'm a big fan of George Carlin's.
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