A Quote by Tracy Morgan

I'm not a child star, but you could say that I've grown up on TV. I went from being an unknown, down-and-out comic from Brooklyn and the Bronx to being a regular character on a major network comedy called 'Martin.' From there I went on to become the most notable black comic on 'Saturday Night Live' since Eddie Murphy.
The things I did on Saturday Night Live are going to stay as Saturday Night Live. You've never seen Eddie Murphy do a Gumby movie. There's a lot more new material inside of me.
We were big Saturday Night Live and Eddie Murphy fans.
A Murphy [Eddie Murphy] movie is like a Sidney Poitier comedy - he's that intensely good... He revolutionized acting. He's literally black Brando. Before Eddie Murphy, there were two schools of acting for a black actor: Either you played it LIKE THIS or youplayeditlahkdis. He was the first black guy in a movie to talk like I am talking right now. That did not exist for black actors before him.
I'm not the comic innovator that Bill Murray and Eddie Murphy are. I can't just come out with an incredible line.
I used to sneak up to the 8th floor and watch Eddie Murphy and Joe Piscopo rehearsing 'Saturday Night Live' and could only wonder if I would ever have the chance to be funny. It took me five years to go up the two stories, but it is such a sense of fulfillment to be able to show what I can do on national television.
Before I went off to Rutgers, I worked in a comic book shop in my hometown. At night, I would work on some comic stories, and after a while, I developed an idea for a weird little superhero spoof comic called 'Cement Shooz.'
I'm not a natural comedian, as an artist. I studied comedy growing up. I would watch Richard Pryor, Eddie Murphy and Martin Lawrence, all day.
When you're a stand-up comic, you live and die by what you say on stage. There's no director or writer or producer who can tell you what to say and not to say. Once in a while, a club owner will ask a comic to work clean, or not say something, but that's few and far between.
I think I'm known mostly for comedy because most of the work I've done is comedy and that is in turn because most of the work that is offered to me is comedy, so I end up doing more comic roles and therefore being known for them.
If there is not laughter in intimacy, it becomes heavy, burdensome, and dull. At my best moments, the love dialogue I try to carry on with You each day is comic-what could be more comic than a human addressing the Ground of Being as an intimate? It's a kind of blasphemy that I dare because you have called for it, and that is pretty humorous, too.
I feel when a writer treats a character as 'precious,' the writer runs the risk of turning them into a comic book character. There's nothing wrong with comic book characters in comic books, but I don't write comic books.
In comedy writing, a sitcom plot is basically the same thing: What's the worst thing that could happen? But you're playing it for comic effect. It's a similar muscle being used with Black Mirror.
The routines of any ethnic comic - Eddie Murphy or George Lopez, for example - would not work if they were performed by anybody outside the group. The same routines would become arrogant and racist.
Comic books sort of follow with the move - if people see the movie and if they're interested in the character and want to see more of the character, they start buying the comic books. So a good movie helps the sale of the comic books and the comic books help the movie and one hand washes the other. So, I don't think there's any reason to think that comics will die out.
I personally find it difficult to accept that there could be anyone on earth insensitive to the comic abilities of Laurel and Hardy, Sid Caesar, Woody Allen, Mel Brooks, or Martin Short. But no matter who the comic entertainer is, there is always at least a minority prepared to say, 'What's all the excitement about? He doesn't seem funny to me.'
My favourite chant is 'you're just a fat Eddie Murphy.' When I heard that I could not stop laughing. I would prefer a 'muscular Eddie Murphy.'
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