A Quote by Tracy Morgan
I want to be an example of a guy who made something of himself out of nothing. A guy who overcame the odds of a tough childhood, who worked hard, who didn't let his surroundings get the best of him and lead him to jail or the graveyard. Where I ended up - being a comedian, a TV star, and a movie actor - might be unique, but my story is not.
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I ended up moving up to lightweight, which I didn't want, and fought a really tough guy, Will Brooks, and beat him like nothing.
I made a good living being a tough guy on TV, but I'd rather laugh and joke all day long than try to be a tough guy.
Let's put it in old movie Mafia terms. There are guys that are in position to get by but they didn't wait their turn. They back-doored the top guy to get the power. For example, Sonny Corleone went up there, and he wanted to be the top guy. And the Godfather said, 'You know what dude, I'm a star.' That's what I'm doing now, and that's what I was trying to do with what's-his-name.
What I wanted to do was drown something enormous, like a Star Trek or Star Wars kind of space opera-type thing, but actually make it about someone who was just married to the wrong guy, and that guy just happens to be this amazing dictator, and she has to get her kids as far away as possible from this guy. So something that could almost be a TV movie, if you'd ground it and set it in Wisconsin or something like that, but to give it this enormous setting.
There's something really powerful about comedy. When the little guy, the comedian, punches up towards the big guy, or Trump, exposing him, calling out the emperor for having no clothes, that's really important.
I'm neurotic in the sense that I can have a crowd of 300 people cheering you, applauding you, standing O, but one guy come out of the audience and go, "Hey man, you should have cut 20 minutes. That wasn't so good." And I'll just obsess on that one guy. After all this love, I'll obsess on him and want to smash his face in and strangle him and kick him down the stairs and I'll be pouting about that one guy all night.
You might meet a guy who turns out to be the best guy you've worked with. They don't have to be some name brand person. I've met a lot of lower level actors and directors who were terrific; that are as good as any other A level director or actor, they just don't get the recognition. So I'm happy working with anybody who wants to show up to play the game and has a clue.
Stan Van Gundy is something else. He's the guy that you come to love. You get around him and he's a very personable guy, but when it's time to work, you don't want to mess with him.
I want to be the best actor that I can be; I want to be working in this business absolutely, and if that means being a movie star, then OK, that's fine. But to me, movie star, celebrity, all that stuff means something very different than being an actor.
Once I start to do a film, it has inferences. If a guy walks down a street and kicks a dog, you're saying something about that guy. A guy walks down the street and somebody's about to be run over and he shoves him out of his way and gets hit by the car himself, you're saying that guy's a hero. You can't avoid making certain statements.
I think, very often, we're addicted to procedurals, those good guy/bad guy shows, and the 'problem' with procedurals is they all follow the same formula: The bad guy does his thing, the good guy goes after him, and in most cases, the good guy figures out who did it and catches him.
You have to bully a guy like Fury - notice I don't call him 'Tyson.' Truthfully you have to run up on a big guy like Fury and pummel him. He's the type of guy who's strong and determined but he's slow. His awkwardness is his positive.
Inside every TV star is a movie star screaming to get out, and Donna Frenzel, with whom I'm guessing you're not instantly familiar, made George Clooney a movie star once and for all in the first ten minutes of his fifth feature, 1998's 'Out of Sight.'
Some souls think that the Holy Spirit is very far away, far, far, up above. Actually he is, we might say, the divine Person who is most closely present to the creature. He accompanies him everywhere. He penetrates him with himself. He calls him, he protects him. He makes of him his living temple. He defends him. He helps him. He guards him from all his enemies. He is closer to him than his own soul. All the good a soul accomplishes, it carries out under his inspiration, in his light, by his grace and his help.
I didn't want to be the lead guy. That's too much work. But I thought that it might be fun to be the lead guy's friend. I'd have days off, and still get a paycheck every week.
I never came with a conscious plan to replace anyone else. Stallone does feel that way. He is a real tough guy in real life, and he gets to act that out. If you meet him and work with him, he is what he is. He is a guy that works out every day.
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