A Quote by Tracy Morgan

Where I came from, people couldn't afford to go to the theatre. — © Tracy Morgan
Where I came from, people couldn't afford to go to the theatre.
Theatre is expensive to go to. I certainly felt when I was growing up that theatre wasn't for us. Theatre still has that stigma to it. A lot of people feel intimidated and underrepresented in theatre.
Places like the National Theatre or Sheffield, these great engines of theatre, make us cutting edge because they can be experimental. They can do plays that nobody else can afford to do in ways nobody else can afford to do.
The theatre training is second to none in Ireland and England. You meet people who haven't had theatre training - it is harder for people who worked in TV to go into theatre than the other way around.
Modelling was not very satisfying for me. I came to London to model, and I fell in love with the theatre. I was eating yoghurt every day so that I had the money to go to the theatre. I saw everything. It's still my dream to be on stage in London.
I didn't go to university. I studied theatre in high school and worked with Canberra Youth Theatre and The Street Theatre and other theatre organisations in Canberra, and that's how I got my training.
I don't know who can constantly afford to go and see things. A play, which has five people in it and one set and it cost you 60 quid? And you're in a theatre that really hasn't had a great deal of money spent on it in the last 50 or 60 years? It's kind of weird.
And people are so het up about the fact I'm in the theatre - it's like, 'Ooh these telly names, can they be any good?' I came out of RADA and my first job was at the National Theatre, but everyone wonders if I can cope. It makes me laugh.
I've gotten to go wonderful places, meet interesting and intelligent people, and I started of course in the theatre and continue to work in the theatre where there is some intelligence involved in it.
There's a loyalty attached to football, and it is more communal than theatre. If you go to the football, it is part of the structure of your life. For lots of people, theatre is a treat.
I came to theatre as a teenager by going to the National Theatre when it was at the Old Vic and sitting on padded seats in the gallery for 15 pence, which was the price of a bus fare.
We're not going to persuade people in the developing world to go without, but neither can we afford a planet on which everyone lives like an American. Billions more people living in suburbs and driving SUVs to shopping malls is a recipe for planetary suicide. We can't even afford to continue that way of life ourselves.
I'm really keen to go back and do some theatre, but I can't afford to at the moment because we're getting married in September. And then I'm hoping to direct a film at the end of this year, and that means a year of your life without pay.
I came to musical theatre from straight acting, and a lot of my friends have a real prejudice about musical theatre - one I probably shared.
I went to theatre school for four years and just wanted to do theatre. I had no ambition to be on TV or to be on camera. I just wanted to go to New York or London and be on stage... I did a lot of theatre in Montreal, got involved in TV in Toronto and then moved to L.A. I hope that film and TV will take me back to theatre.
Musical theatre goes through cycles. I came in when it was at the absolute height of musical theatre as I remember it. It was the age of the long-runners.
As my passion is theatre when I do a film I'm taking time out from my theatre career. So, I'm desperate to get back into the theatre. So, I have to make sure that I put my foot down, especially with the agents and stuff, and say: "Hey no, I'm doing some theatre!" It is hard but it matters so much to me that it's just something that's going to be necessary and people will have to deal with it.
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