A Quote by Tracy Morgan

The version of me you see on TV now and in my feature films is a pretty happy guy, isn't he? — © Tracy Morgan
The version of me you see on TV now and in my feature films is a pretty happy guy, isn't he?
I did have a sense of parental pride in that character. For 20 years now my films and the TV show have been the only version of Peter Parker. So I wanted this new version, for a new generation, to be really good. I still care about it.
My mother gave me this book called Feature Films at Used Car Prices by a guy named Rick Schmidt. I gotta credit the guy, cuz he gave me the most practical advice. It empowers you.
In India, we always look at feature films as a progression over short films. But, abroad, people make a living making short films. The revenue might not be as much as in feature films, but the return on investment is good.
It was interesting to write ad films and scripts for TV shows before I moved on to writing a feature film. That helped me grow as a writer, and I also found out how long I could sit in front of a computer and see something through.
The comedy I do on TV came from me being at art school and seeing Gilbert and George films, thinking they were hilarious. I was trying to do that, a sketch version of art, and it ended up on TV.
As soon as I finished film school I was thinking about, how do I get to feature films? It took about eight years, and I'm still working. Feature films was not the end goal. Feature films was one of the stages. Getting to the point of the Coen brothers or Tarantino, where you're writing your own material and have the budget to do it properly, that's the end goal, and I'm close to that.
I usually take up short films when I am not tied up with feature films. Short films are easier to work on... because it doesn't take much of your time. The number of shoot days are lesser as compared to feature films.
I had fame and wealth and things that are supposed to make you happy, but I wasn't happy, because there's no importance on having a fulfilling life. So in my mid-40s, that was my pursuit - making films that interested me, films that I would like to go see.
I was a feature one time and they gave me host money. When I called to complain the guy goes "no you didn't feature, you co-hosted". He literally invented a term so he didn't have to pay me. And obviously that check bounced!
If I have a good dream and I wake up happy. When I have an idea, I feel happy. Sometimes achievement and relationships can make me happy. I have a son and to see him grow - he's 22 now - that makes me happy.
I have been an actor for more than 125 films now. People see me every day, every hour, be it on TV or in newspapers.
I enjoy making feature films, but I'd rather be in a good TV series than mediocre movies.
I didn't see anybody in the media or on TV that played sports that looked like me. I didn't have those things growing up. Now that I'm in that position, I'm happy to be that person if I can.
By the time I got to Bournemouth Art College, I'd been so inspired by Sam Raimi and Robert Rodriguez and their tiny, no-budget films that I decided to do a feature-length version of 'Fistful Of Fingers.'
Films for TV have to be much closer to the book, mainly because the objective with a TV movie that translates literature is to get the audience, after seeing this version, to pick up the book and read it themselves. My attitude is that TV can never really be any form of art, because it serves audience expectations.
I was pretty certain I'd stay in TV rather than returning to the feature world because the material just seems so much better in TV, especially in drama, but then 'Crossface' came my way. A heartbreaking, true story about the dark side of wrestling... I couldn't say no to that.
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