A Quote by Tracy Pollan

I'm not a writer, but I'm very good at editing. That's my specialty. I can read something and tell you everything that's wrong with it and what's great about it and what needs to change, but it's hard for me to organize my thoughts.
I was a lonely, frightened little fat kid who felt there was something deeply wrong with me because I didn't feel like I was the gender I'd been assigned. I felt there was something wrong with me, something sick and twisted inside me, something very very bad about me. And everything I read backed that up.
There's no unifying brand about me other than I'm a writer who shares my thoughts. Sometimes my thoughts are designed to help people, and other times, my thoughts are designed to change the political system and challenge those who need a good fight.
If you don't read it, you don't know. I mean, that's why I have a PR team. They read it and tell me if there's something, and that keeps you focused. I know my family and me well enough; why do I need to read about myself? I'm not going to change, I'm very stubborn in this way. I am what I am.
Every time I sit down to write, I need to commit to a word count goal, otherwise I waste too much time editing and re-editing my previous work, staring dreamily off into space, pretending that I'm thinking profound, poetic thoughts when really I'm just thinking, 'Look at me being a writer! I'm so happy I'm a writer!'
Something about writing needs a sort of distance not to be involved as a writer - just something that makes it easier to write. You have to make choices all the time - what to tell and what not to tell.
Sometimes the most difficult thing you can do as an editor is not make a single note - the idea that everything and everyone needs editing is, in reality, a fiction. I've gotten pieces where I thought, Well, I could do this or that, or change this word, but in the end, I leave it. Changing something is not necessarily equivalent to making the piece more true to itself, which is the point of editing: it's just changing it because you feel you can or should or must.
Do not allow your thoughts to become greater than you. No matter what your thoughts tell you, don't listen. Remember your thoughts are not your friend. Your thoughts try to confound you, confuse you. And they will tell you all kinds of things. Do not listen to your thoughts, even your good thoughts. Transcend everything, go beyond your thoughts to your bliss, to your joy and to your happiness.
My daughter...why do you not tell me about everything that concerns you, even the smallest details? Tell Me about everything, and know that this will give Me great joy. I answered, But You know about everything, Lord." And Jesus replied to me, "Yes I do know; but you should not excuse yourself with the fact that I know, but with childlike simplicity talk to Me about everything, for my ears and heart are inclined towards you, and your words are dear to Me.
The fact that I am constantly immersed in the act of legal writing and editing has made me a better and more efficient creative writer and editor. In the end, lawyers need to tell compelling stories when they write a brief or other legal argument. A successful lawyer understands that the judge is merely a person who is going to read that brief, which should articulate a compelling reason for the judge to rule in that lawyer's favor. In other words, a legal advocate needs to get the judge to care. That's not dissimilar to what a creative writer does.
There's never been a great fight without the writers taking on and finding an identity for it. That's probably what has happened boxing. Writers are not writing about us big boys anymore and I tell you right, however you feel, take something, find it, and use it because American needs something to read about.
I have nothing to make me miserable," she said, getting calmer; "but can you understand that everything has become hateful, loathsome, coarse to me, and I myself most of all? You can't imagine what loathsome thoughts I have about everything." "Why, whatever loathsome thoughts can you have?" asked Dolly, smiling. "The most utterly loathsome and coarse; I can't tell you. It's not unhappiness, or low spirits, but much worse. As though everything that was good in me was all hidden away, and nothing was left but the most loathsome.
Teaching and editing have helped me enormously, and brought wonderful people into my life. When I see an author I'm editing struggling to bring a flash of an idea to the page, or notice a student's hands shaking as they read something they wrote out loud for the first time, it keeps things in perspective. How vulnerable we all are. How hard it can be to open the door.
I'm a really smart player. If you tell me something, I get it quickly. If there is something wrong with my hitting, tell me what's wrong and I'll pick it up right away. That's the best thing I have going for me, my ability to listen to a coach and fix what I'm doing wrong.
I have come to communism because of daddy Stalin and nobody must come and tell me that I mustn’t read Stalin. I read him when it was very bad to read him. That was another time. And because I’m not very bright, and a hard-headed person, I keep on reading him. Especially in this new period, now that it is worse to read him. Then, as well as now, I still find a Seri of things that are very good.
I read 'The Washington Post' every day from a very young age. Reading the newspaper taught me how to organize my thoughts on the page. Meaning, it taught me how to write.
It's hard to read good fiction when I am writing, because if it is really good I catch myself sort of inadvertently imitating a great writer.
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