A Quote by Travie McCoy

I've been producing since the early stages of Gym Class Heroes. A lot of the songs on the first 'Papercut Chronicles' were actually beats that I made. — © Travie McCoy
I've been producing since the early stages of Gym Class Heroes. A lot of the songs on the first 'Papercut Chronicles' were actually beats that I made.
I think anything we do outside of Gym Class Heroes still falls under the Gym Class Heroes umbrella. There's really no method to the madness. With Gym Class, it's more of a democratic process, and when I'm working on solo stuff, it's just me, either working with producers or sitting in a room by myself. They balance and complement each other.
The first record we put out on Fueled by Ramon, 'The Papercut Chronicles,' we had no idea what the term 'producer' meant. It was just us writing songs, and we are trying to go back to that - singing in a room and vibing off each other.
A lot of the early songs I wrote were about the experience of going to London and meeting rent boys and transvestites and drag queens. A lot of my early material is that: the wide-eyed adventures of a middle-class boy.
We didn't want to worry about the formula that has been implanted into our brains - this verse/pre-chorus/chorus format. When we were writing 'The Papercut Chronicles,' we had no idea about any of that. We didn't know how to count bars or how to write what's considered a well-formatted pop song.
I played drums since I was 6 years old. And then I got into producing music when I was about 16 or 17. Somebody showed me FL Studios, the program. My beats were bad at first, but then eventually they started to get good.
Actually, I'd already briefed him, early this morning. Since we were up at six. Since, at six, the nurse had been overcome with the overwhelming compulsion to take Fang's temperature right then.
I made songs in the late '90s and the early new millennium that didn't succeed very well, but songs that I made in the late '80s, early '90s, they stood the test of time. I respect those songs for keeping me relevant.
I have been making hip-hop since I was a kid growing up in New York in the '80s and '90s. It's always been a hobby of mine - I've been making beats and writing songs for as long or longer than I've been acting.
A lot of those songs are actually about Sarah, who I was recently divorced from about five or six months ago. I'd been seeing her off and on since I was about nineteen, so a lot of those songs are about her.
I like underground rappers - Cory Gunz is a young kid that's been really doing his thing. I'm a Gym Class Heroes type of fan even though they're not new, but they're definitely trendsetters.
Driving to class with him. All I could think about was that it had been three days since I'd touched his face AND HE SEEMED so fine. I said, to him "you seem like you didn't miss a beat." He looked at me and said Sabrina, I've missed so many beats, I've MADE A RhytHM.
When I was first introduced to the music business, I learned how to make beats. All my friends rapped, but nobody made beats. So since I didn't do either at the time, I thought it would make more sense and I would be more valuable to the team as the in house producer.
When I was a kid, a lot of my parents' friends were in the music business. In the late '60s and early '70s - all the way through the '70s, actually - a lot of the bands that were around had kids at a very young age. So they were all working on that concept way early on. And I figured if they can do it, I could do it, too.
Downsides, yeah, and when there are more downsides when churches first start - they go through stages of transforming to becoming multiracial. So in the beginning stages there's often a lot of pain, a lot of confusion, a lot of people leave.
I saw an early cut of 'The Disaster Artist,' and I thought it was inspiring in a lot of ways, and it made me realize it had been so long since I had tried to make a film or to try to - you know, the book was obviously my first kind of big creative pursuit I had control over.
When I first starting making beats, I didn't know samples were being used in any beats. I had no idea where producers were getting the real string sounds or the voices on their tracks. I knew nothing about loops or sampling off of records. So, by me knowing nothing about this it made me concentrate on my chords on the keyboard.
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