A Quote by Travis Barker

I've always loved playing in bands where there's like three or four people and we're all throwing out ideas and coming together to make an album. — © Travis Barker
I've always loved playing in bands where there's like three or four people and we're all throwing out ideas and coming together to make an album.
I read the reviews sometimes, but I don't let it really affect the next album because, for me, when I approach an album, it's usually coming to me pretty naturally. It's not like I set out, like, "Okay, I'm going to write an album this month." It's more like I'm just always writing songs and eventually I start to realize that a group of songs sort of fits together, and I go from there in putting together the album and themes and artwork and things like that.
I always loved bands who would try to change their sound radically album to album, experiment in one album and revert back in another.
There's a lot of bands that don't release an album every year. There's a lot of bands that take three, four or five years off here and there, but they don't say 'hiatus,' so no one really notices it.
I got an album coming out with Bibby (No Limitations) we gone do a joint album our first-ever joint album together officially since we started that's coming this year 2017.
No, this is throwing up like coming off the tilt-a-whirl at age seven, like discovering that dead rat under the porch, like finding out someone you loved never loved you at all.
I think most bands probably peak on their first album. We peaked on our third album. On the first album, I feel like I wish the production was a little better. I'll always hear a song I don't like. I look for what I could have done to make it better. It's always difficult for me to listen.
I definitely want to put out and album, kind of like a Kelly Clarkson vibe: a soulful voice with a pop rock background. I think it's something that I've always loved and always loved to perform. So that's the kind of album that I'd like to put out.
Well, when you're recording an album, artists have what they feel like is good music, and the label, they're trying to sell the album. So those two ideas clash sometimes, but in the end it always works out. When you put the two together, that's a good thing.
In '05, '06, '07 and '08, I wasn't throwing any changeups at all. Maybe two or three per game. In '09, I started playing with the grip, started throwing it in the bullpen and playing catch. It came out really good.
There was always music playing in the house. I started singing at three, like my sisters did. When I was around four, we decided to put together a group and had so much fun with it.
Kids are probably frustrated and egos are too much involved and kids don't know how to get together and be kids and start a group and it's kind of sad because I feel like if you come out with three or four people in the beginning, you can be protected and everybody can shield each other. Before you get out there by yourself and get all these people coming at you. I just think it's not really there.
On the 'X-Men' films, people are always throwing out ideas and trying to get the shot to look the best and make the most sense, and to get it done efficiently. Everybody collaborates and everybody is very open to new ideas.
I've always been a fan first and foremost - obsessing over bands and seeking out bands, and spending hours and hours listening. When I played music, the scope of my fandom became more myopic; I was focusing on the bands we were touring with, or the bands on the label. And you're always positing yourself in relation to other bands. Since I haven't been playing, I feel a little less cynical. I'm able to seek out music and approach it strictly as a fan.
A lot of the metal bands that were around when Metallica put out 'The Black Album,' now they're playing clubs, and Metallica is playing stadiums.
I don't really think of these as projects. I think of them as bands. I have tried to not just convene a group of musicians and make one record or make one gig and just drop it. Each of them develop over time. I have been really fortunate to keep a band like the Sextet together over three very different albums. Each time, the goal got more deep for me in terms of how I wanted to write for those people. So it is really about trying to develop ideas and trying to have a consistent focus on a way to come up with new ideas in music that I want to do.
Out upon it, I have loved Three whole days together; And am like to love three more, If it prove fair weather.
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