A Quote by Travis Fimmel
I didn't know exactly what a hipster was until we were in Brooklyn. It's like a species. On first seeing it, I was like, 'Oh my God, oh my God...' Pre-tt-y fun-ny.
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He's always been absolutely gorgeous and had that charm, but he was in a steady relationship until quite recently, so it's only of late that all the girls are like, 'Oh my God, oh my God'.
The very first job I did, a Barbie commercial when I was eight or nine, that was like 'Oh my God.' Because when you're watching things on TV, you think it's like a fantasy. But then to actually do it and then see yourself, it's like 'Oh my God.'
Jess! Oh my God! Oh my God! Oh my God! Are you all right? Are you alive? Did I hurt you? Jess? Can you speak?” – Abigail “Yeah, I can talk. But I kind of like the attention you’re giving me. You want to grope a little lower, it’d be even better.” – Sundown
You know my girls are so funny. You're out in the country and there are critters everywhere and they get a little like, 'Oh my God! Oh no, bugs!' and I had to say, 'Honey this is fine. This is their world and it's all part of being in the country.' I realized, 'Oh my God, my girls are really city girls.'
If I see someone I'm in awe of I'm like, 'Oh my God. Oh. My. God.' But on the outside I'm very calm. I'd never run up and hassle anyone.
I like the guys who wrote their own stuff and were able to perform it, like Seth Rogen. He popped off so young. When he did 'The 40-Year-Old Virgin,' and he was a co-producer on the movie, I was like, 'Oh my God: that's exactly what I want to do.'
The first job I ever had was singing in a jazz club when I was like 15 with my friend, and we earned like 70 bucks. We were like, 'Oh my God!'
This squirrel is inadequately afraid of humans! Squirrel, I am a threat to you! We are enemies! Please get off my bench! Oh, god! Oh, god! Don't touch me—oh, god!
(Playing with Jeffster at Comic-Con) was absolutely the scariest thing I have ever done. I literally skipped over the 'what a great moment' to 'oh, my God, I can't believe I have to do this.' And when I was up there, the people were, like, "Oh, my God," and they were all screaming and stuff. But I didn't hear a thing. I was just in my own little bubble of horror and panic, utterly, utterly blanched with terror.
We need to break boundaries, so every time I feel like, "Oh snap, oh my God, I don't know how this is gonna be received," I also feel this validation, like, "All the greats, all my favorites have felt this."
I haven't read the comic book. I didn't even know there was one until about halfway though. Helen Mirren and I were talking about that actually, who also felt kind of silly. When we had to run she was like, 'Oh God, we're both going to get fired.' The running sequences, it's a particular kind of humiliation because it's fun.
First of all, the first cut of the movie was like three and a half hours and I walked away going, 'Wow, I know there's like twenty minutes that I can cut - ' when I first saw it 'But I don't know after that.' The first time I put up then in front of people I was like, 'Oh, my God, I can take that out and that out and that out.'
I don't know if any of you feel this way, but it's like eventually, you see a woman come on screen and you go, "Oh, thank God!" You just sort of need a break from all this testosterone, which happened, I think, in one of my films, The Hurt Locker. I was in it for like five minutes, and people were like, "You were in that movie!" And I was like, "Well, kind of." And they were like, "No, you were!" 'Cause they needed a woman!
The motive is this, 'Oh! that God could be glorified, that Jesus might see the reward of his sufferings! Oh! that sinners might be saved, so that God might have new tongues to praise him, new hearts to love him! Oh! that sin were put an end to, that the holiness, righteousness, mercy, and power of God might be magnifi ed!' This is the way to pray; when thy prayers seek God's glory, it is God's glory to answer thy prayers.
When I was a youngster, I wrote all this music - it just came out of me - and I think record executives were like, 'Oh, wow, he's a genius, let's give him a million dollars!' But the minute I started producing the records, they'd be like, 'Oh, my God, you're terrible! You're all over the place! We can't market this!'
Making Superman was so hard. We were a year over schedule. We were there a year and a half, the first time. And in a year and a half, you go through everything you go through in a life. So you can't really go, "Oh, it must have been fun to work with Chris Reeve." In a year and a half, you bonded like a family, so you know someone far too well to think something as simplistic as "Oh, it's just fun." You know their secrets. I mean, it was everything. It was truly - it's a cliché to say we were family, but we really were.
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