A Quote by Travis Kalanick
I talk a lot about justice. I'm about it. I'm also about civil disobedience.
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The state says: "Well, in order for it to be legitimate civil disobedience, you have to follow these rules." They put us in "free-speech zones"; they say you can only do it at this time, and in this way, and you can't interrupt the functioning of the government. They limit the impact that civil disobedience can achieve. We have to remember that civil disobedience must be disobedience if it's to be effective.
I hear a lot of talk about civil war. I'm concerned about that, of course. And I've talked to a lot of people about it. And what I've found from my talks are that the Iraqis want a unified country and that the Iraqi leadership is determined to thwart the efforts of the extremists and the radicals.
I want you to understand that racial justice is not about justice for those who are black or brown; racial justice is about American justice. Justice for LGBT Americans is not about gay and lesbian justice; it's about American justice. Equality for women isn't about women; it's about United States equality. You cannot enjoy justice anywhere in this country until we make sure there is justice everywhere in this country.
It also happens that I don't actually teach about the stuff I make things about. I'm not a film history teacher. In that way, it's also a release. But the ideas that I talk about in the movie are the same I talk about in school.
On the contrary, it's because somebody knows something about it that we can't talk about physics . It's the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance gold transfers we can't talk about, because those are understood so it's the subject that nobody knows anything about that we can all talk about!
If civil disobedience is the way to go about change, than I think a lot of people will be going to San Francisco
I always wanted to have a young female artist that would tell me the truth about life and not only talk about the good things or the things that were exciting or interesting but also talk about the things that people in general are skeptical to talk about- the bad things that do happen. A good 50% of our lives is things that are happening that we're not necessarily super thrilled about and I feel like that's missing from pop music a lot of the time so my main goal is to be truthful about everything and not just specific things.
The Civil Rights for Musicians Act is about economic justice for African American artists. It's about what's right. And it's about time.
Civil disobedience is not something outside the realm of democracy. Democracy requires civil disobedience. Without civil disobedience democracy does not exist.
We talk a lot about our identities, and we talk a lot about working to clear misconceptions about those identities. But it'd be really cool to see someone like myself not even have to talk about being Muslim or Egyptian, because it's just understood. We can all just be weird and not have to explain everything.
For me music is central, so when one's talking about poetry, for the most part Plato's talking primarily about words, where I talk about notes, I talk about tone, I talk about timbre, I talk about rhythms.
A lot of guys... they want to take the big shot, and they talk about it because they're scared of it. You never heard me talk about it. You heard a lot of guys talk about it. But you don't have to talk about it, because if you have the confidence in yourself, and your team believes in you, you don't fear anything. You don't fear losing.
When we talk about justice in America we're really talking about justice brought about by the people, not by judges who are tools of the establishment or prosecutors who are are equally tools of the establishment or the wardens or the police officers.
You know, when we talk about leadership - in sports, politics, business - we talk a lot about success but not a whole lot about failure.
I was into music from a very early age, and I was also - I don't really talk about this that much - really into horses. I learned a lot about rhythm and about voice from that.
I don't hide anything about my life, I talk about everything. I talk about it - all kinds of things. I've done songs about bad experiences, a couple about growing up in the ghetto and being abused, sexually. Being raped. And I talk about it.
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