A Quote by Travis Kalanick

In some way, L.A. respects the young guy that's out there just trying to make it happen, but in some ways, they disrespect that, too. — © Travis Kalanick
In some way, L.A. respects the young guy that's out there just trying to make it happen, but in some ways, they disrespect that, too.
Especially the young kids who don't have any guidance, just stuck on trying to be a tough guy or trying to be a gangster - there are different ways out there to better yourself. You just need the right guy out there to push you.
Some people don't like my songs because they think they're too simple or easy or not that thought-out. I feel like the way I write is pretty simple, in some ways, because I'm trying to connect. I want a lot of people to hear it, and be moved in some way.
Things just happen in the right way, at the right time. At least when you let them, when you work with circumstances instead of saying, 'This isn't supposed to be happening this way,' and trying harder to make it happen some other way.
I was very young, and I remember this heated, passionate argument and trying to figure out some place called Vietnam, something called a Watergate, and some guy named Gerald Ford who my dad knew who had just become president, and how all these things fit together.
If you're out for two years, and you beat one guy with a full-time job, without disrespect, but we're talking about fighting for a world title. You can't just beat a guy that went there to cover some guy that got injured, and then this guy, after two and a half years, gets a title shot.
The guy, Magic Johnson, built a business empire and you don't do that just because you have a pretty smile. The guy is definitely a smart guy, knows what he's doing. He's a basketball genius. So to downplay that and disrespect that, I thought it was stereotyping him way too much.
Normally my process is to sit in a room and read a script and talk about it and ask questions and just create a dialogue. That goes all the way through shooting. All kinds of thoughts and ideas can find their way in there. As long as you're all on - We're just all trying to tell the story so my job as a director is just to find out what this film wants to be based on, it's just words on a page at some point but then it just needs to go to some level of believable storytelling. I'm discovering the film as I make it, to some degree.
Balancing trying to be an athlete trying to get ready for WrestleMania, training twice a day, to everything you do at the office to remembering that you have a wife and kids and everything else - it's challenging, but you just make it happen. In some ways, it's no different than anyone else's life.
I'd like to transform the system in very fundamental ways, but you've got to do that in every way that you can. You can't wait for some magic bullet or some magic politician or some magic anything to have that happen. You got to get out there and use your vote.
In many ways, I was a typical young guy out of college. I was at Oxford, where every night there'd be a late showing of some great film.
I think in some ways - only in some ways - but in some ways, rock and roll has let me down. It really doesn't leave you a way to grow old gracefully and continue to work.
If I make a painting, it should be seen for what it's set out to do too. A lot of the things that I do, it's not all art. Some of it's design, some of it's illustration, some of it's graphics, some of it's concept, some of it's business and some of it, hopefully, is art.
If we remain wedded to the way education is currently provided we cannot imagine other ways. We need some imagination, some fantasy, some new ways of thinking - some magic in fact.
I've failed over and over and over again in my life and that is why I succeed. Some people want it to happen, some wish it would happen, others make it happen. I can accept failure, everyone fails at something. But I can't accept not trying.
I just go out there and play. I don't know if it's being young and not getting calls, or some other circumstances. I'm just trying to make a play.
Nowadays, not to say that that doesn't happen, but music is made a lot almost in a laboratory where you get one guy working in one studio, they send the file to another guy in some other part of the world, they send it back and then they send it this way and that way. Musicianship is kind of - there's nothing wrong with that. In fact, some great music is made that way.
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