A Quote by Travis Knight
You throw a rock in Hollywood and you're going to hit someone in the film industry.
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If someone's going to throw me in, I'm not gong to try and hit a ground ball to third, you know? I'm going to try and hit it in the air. If someone's going to throw me away, I'm not going to try and hit a ground ball to second, I'm going to drive it to right-center.
In rock, paper, scissors the key is, and this is the best piece of advice that I can give you, if you do think that you recognize the pattern from your opponent, it's good to try to throw a tie as opposed to a win. A tie will very often get you a tie or a win, whereas a win will get you a win or a loss. For example, if you think that someone might throw a rock, it's good to throw rock back at them. You should be going for ties. That's actually a really good strategy to win at rock, paper, scissors. There's my rock, paper, scissors advice for you.
That's what stock-car racing is. You hit someone, or you get hit. That's something I had to learn. It's a key factor in why I'm so aggressive. I don't want to have to hit you. But if you're going to hit me, I'm going to hit you.
I am not going to do a film based on a bad scenario just to make a big Hollywood film or work with Hollywood stars.
When I played, a pitcher could throw at you any time he wanted to. In fact, he could tell you he was going to throw at you, and there was nothing said. You had to take it. If he hit ya, he hit ya.
I'm not criticizing Hollywood because I work there, I partly live there. But I'm saying this is the way it is, commerce is taking over art. Commerce has become the most important thing in the film industry. Hollywood is an industry, it's not an art form, therefore they have to address the bottom line. But in a way it's sad when you get a remake, isn't it?
Fighting is kind of like choreography. It's not just get in there and punching someone: you have to have choreography. Someone is going to hit high; someone is going to hit at the bottom.
If someone has given a hit in the industry, and everyone talks about the song and artist, that's a hit.
Hollywood is a film industry, a film business. I don't approach my career in that way. I see it as 'art,' and I become involved in films that ring my bell.
Throw a rock into a pack of dogs, the one that yelps the loudest is usually the one that got hit.
The fact is that Hollywood, from as early as the sixties to the present time, has ghettoized cinema into the big industry, a marketing industry. In doing this, the audiences have lost touch with the aspects of film which were to be informative and educational and even spiritual.
Although I didn't think so at the time, things were a lot simpler in 1969. All you had to do to express yourself was throw rocks at riot police. But with today's sophistication, who's in a position to throw rocks? Who's going to brave what tear gas? C'mon, that's the way it is. Everything is rigged, tied into that massive capital web, and beyond this web there's another web. Nobody's going anywhere. You throw a rock and it'll come right back at you.
Fashion is harder than the film industry. You have to constantly be able to crank out hit after hit after hit on demand and on a very tight calendar. I've come back, I've lost it, I've come back again. It's really as good as your last collection.
A lot of the reasons that I'm resistant to making films in the U.S. have nothing to do with not doing a film in Hollywood, but rather to do with what I'm committed to working on in the U.K. I feel very committed to the British film industry and infrastructure.
National film industries tend to move in cycles. In Australia right now, we're on a high, a feeling of potential, which as yet shows no sign of flagging. But the word 'industry' is misleading. A small national cinema has no industry in the Hollywood sense.
National film industries tend to move in cycles. In Australia right now, we're on a high, a feeling of potential, which as yet shows no sign of flagging. But the word "industry" is misleading. A small national cinema has no industry in the Hollywood sense.
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