A Quote by Travis Knight

When you think of the warm grandmotherly type of character, you don't think of Elaine Stritch. — © Travis Knight
When you think of the warm grandmotherly type of character, you don't think of Elaine Stritch.
Elaine is just in pain. I think Elaine has become very, very sad woman. She is someone who is in deep need of many hours of analysis and I like to think that I'm not that type of person.
I'm like Elaine Stritch everywhere.
The terrifying thing in my life is that I am just an actress. And I have to keep pushing it and getting approval, approval, approval or I don’t think I’m worth two cents. And I am starting to get over it, thank God. And I’m just sad because I don’t have many years left and I wish I had a longer space of time to think that Elaine Stritch is okay.
There is a strange kind of parental pride when 'Topdog' ends up on Broadway, or 'Elaine Stritch.'
Getting to perform at the Carlyle, following in the footsteps of women like Elaine Stritch, Barbara Cook, Christine Ebersole, Kelli O'Hara, and so many others, is nothing short of a dream come true.
It was surreal to play opposite Angela Lansbury and Elaine Stritch, Bernadette Peters and Catherine Zeta-Jones. There was so much to learn just from watching them, and it was an honor to share the stage with women who have accomplished what they have.
Getting to perform at the Carlyle, following in the footsteps of women like Elaine Stritch, Barbara Cook, Christine Ebersole, Kelli OHara, and so many others, is nothing short of a dream come true.
It was really my grandmother who was the biggest influence because she'd talk back to the celebrities and politicians on TV. She was a combination of Joan Rivers, Elaine Stritch, Betty White, and Bea Arthur rolled into one.
People ask me, Jimmy, howd you get here tonight. Lets just say it involved a two-hour make-out session with Elaine Stritch. It got pretty heavy actually, I almost had to host.
I don't think there is a single character in 'The Graduate' that is not a phony, to one degree or another, except Benjamin and Elaine, and only in the scenes when they are alone together.
Martha Washington. I think she's done herself a disservice in history with a little cap, you know? She looks like a namby-pamby little grandmotherly type, but she turned out to be a very strong woman.
I was the first critic ever to win a Tony - for co-authoring 'Elaine Stritch at Liberty.' Criticism is a life without risk; the critic is risking his opinion, the maker is risking his life. It's a humbling thought but important for the critic to keep it in mind - a thought he can only know if he's made something himself.
A woman can be demure, lady-like and the most prim and proper character, and still have a toughness and resiliency as apparent as a superhero-type female character or a warrior or soldier type. It's all about the story, the character, and the course of events in that piece of work and how that character is presented.
I think I have proven that I can play any type of character.
I'm not really the quiet type, although some people think I am. But I'm the rebel type in the sense that I don't think I'm like everyone else. I try to be an individual.
I do something that I don't think anyone else does. I warm up before a game. Baseball and basketball players warm up, so why shouldn't the announcer warm up?
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