A Quote by Travis Morrison
I sometimes try a variance of the drawer trick - [I write it] and then come back to it and see if it blows.
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Sometimes I write a song and I'm down with it but I'm like yeah, whatever, and then everybody loves it and then it blows up. I'm like: "Okay! I didn't see that coming."
My mentor Jon Simmons introduced me to the Stanislavski system, which is so heavy on back-story. So you write and write and write these back stories about a character and then you throw it away. So then on set, if it doesn't come, then you didn't do your work.
I'm not much of a self-promoter or anything. It's not something I feel comfortable doing. But sometimes I would get frustrated, I'd think, "You know, this is a good book, how come no one is paying attention to it?" So it's nice to have some recognition. I don't write to put it in a drawer, I hope that people see it. But what am I willing to do for that? I struggle with that a little bit. I try to be accommodating, but I'm pretty much a loner. I'll say this, and it'll sound like bullshit, but it's not: I don't really pay attention to this stuff very much.
As a writer, I know that - you write a first draft and then put it in a drawer. The longer I can put it in a drawer, the better off I am. So I structure my writing so that things can sit.
In manufacturing, we try to stamp out variance. With people, variance is everything.
Sometimes I'd like to stuff all Jews (myself included) into the drawer of a laundry basket. then open it to see if they've suffocated
I sometimes try to write something that is actually really simple and I can't do it. So, then, it's not simple anymore. It's really hard and it gets all messed up. I sometimes sit down and try to write a song with just three chords and it doesn't work.
Who is my role model and how long can I keep this going? I just move around and do different things and come back to music, try making films and come back to music, write children's books and come back to music.
CEOs hate variance. It's the enemy. Variance in customer service is bad. Variance in quality is bad. CEOs love processes that are standardized, routinized, predictable. Stamping out variance makes a complex job a bit less complex.
A trick I picked up from reading Frank Miller scripts: ... He tended to always start his panel caps sometimes with a general noun and a verb. 'He weeps,' and then there'd be whatever else. And a couple of collaborators of mine have always said that the first sentence of my script is for them, and everything else that comes after is for me. Which is true, that's very much how I try to write. The first line is just to get the physical action down, and then I'll kind of drift off into whatever else I see in my head and they can take it or leave it.
When you teach, it's sometimes necessary to consciously not write for a month or two - and then pick a time in the future to sink back in. It makes you less frustrated and more in control. I do best when I give myself breaks and come back hungry.
When you come to a hotel room, you want it to be grand, functional and beautiful. But you don't want things that are not useful. Sometimes you go to hotels and there are all these frames and pictures of people you don't know, and you end up hiding everything in the drawer, and then housekeeping come and put it out again.
What I try to do is write. I may write for two weeks ‘the cat sat on the mat, that is that, not a rat,’.... And it might be just the most boring and awful stuff. But I try. When I’m writing, I write. And then it’s as if the muse is convinced that I’m serious and says, ‘Okay. Okay. I’ll come.
I write very sporadically. I write sometimes three things in a week and then nothing for a year. I make a space for it but I don't push it. They just come and they come.
It's rare that I'll write lyrics first. If I come up with some good lyrics, I'll write them down and try to use them later. If I come up with a song title, sometimes I'll write a song based on that. Sometimes, I'll make a whole band out of it. I don't really have a process, per se. I just keep going and going and going. Every free minute I have I'm working.
I just try to show up and be relaxed and present and honest. And that's my only trick. And sometimes it works, and sometimes it doesn't. Honestly, sometimes it really doesn't work.
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