A Quote by Travis Pastrana
I'm just competitive. Everybody always says, 'You've gotta be crazy to do what you do.' It's not really true. Everything we do... is always about trying to out-do your friends. Trying to one-up, be a little faster, a little better, jump a little further.
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I always love when everybody else is really bringing their game, because it's only going to make the movie better; it just makes you work harder and they work harder and everybody is trying to get their little bit in. It's competitive in a constructive way.
I believe I've accomplished my goals of trying to get better every year, and a little bit of that, a little bit of luck, a little bit of everything just falls in place, and you end up on top.
I didn't feel that so much as an outsider when I started writing; I've felt that way all my life. I don't know, man; I guess I was just wired wrong. When I was growing up, I always wanted to be somebody else and live somewhere else. I've always felt a little uncomfortable around people. And I'm not trying to romanticize this, because it wasn't romantic. I wasn't trying to be a rebel; I just always felt a little out of it. I think that's why it's pretty easy for me to identify with people living on the margins.
Get your work in, do what you need do, and get back up top. I'm a little bit behind the curve as far as not really having a spring training, so you're trying to get your work in, trying to work on things, and at the same time, you're also going out there trying to be competitive.
If you compromise what you're trying to do just a little bit, you'll end up compromising a little more the next day or the next week, and when you lift your head you're suddenly really far away from where you're trying to go.
I really think if you're trying to look good, do something athletic. I have a little mini tramp, and sometimes I'll just try to jump for 20 minutes. It gets your blood circulating, and that always looks really pretty.
With every project I've ever done, I've always treated it like I'm still in school. Each time you try to go a little further, get a little deeper, feel a little more, sculpt it a little better.
Whether it's a kid in high school who doesn't have any friends and finds friends in my characters, or a guy in Afghanistan, who's trying to forget what he did that day, and trying not to think about what he's gotta do tomorrow... I give them a little bit of an escape.
little sun little moon little dog and a little to eat and a little to love and a little to live for in a little room filled with little mice who gnaw and dance and run while I sleep waiting for a little death in the middle of a little morning in a little city in a little state my little mother dead my little father dead in a little cemetery somewhere. I have only a little time to tell you this: watch out for little death when he comes running but like all the billions of little deaths it will finally mean nothing and everything: all your little tears burning like the dove, wasted.
When I wake up, I expect things to be good. If they're not, then I try to set about trying to make them as good as I can 'cause I know I'm gonna have to live that day anyway. So why not try to make the most of it if you can? Some days, they pan out a little better than others, but you still gotta always just try.
I'm always like that about everything. When I try to do something, I always think, "What is the best way to do this?" Instead of taking what everyone else says and how it has been forever, it's faster for me to try myself. Of course I listen to what everybody says, and at first I'll try what people say, but I always come back to trying it my way.
It would be nice if everybody were a little bit more mindful of what kind of product you're putting out there. Nothing's for everybody. People are liked and disliked, but at least be mindful of what you're doing and what your message is, and trying to stay true to your authenticity and what you're trying to attain or what your goals are, and don't let anybody get in the way of that. At the same time, have a goal, and have a message.
I don't know what people think they're trying to do with literary novels, but they're trying to do something. They're trying to change the world, although that's so crazy. That's just delusional. But I recognize that it's crazy. It will be a little dinky change.
What makes a three-man booth challenging is everybody's gotta give up a little something. Right? Because normally you'd have one guy being the analyst, and he's got the ability to go at his own pace and do everything and break down everything, but when you've got two people, somebody's gotta give up a little something.
I've always just felt a little out of place. I still feel out of place in San Francisco. It's this place where everything is going great, and everyone feels super optimistic about the world. It's a little different about how I grew up.
Country radio went through a time where they were trying to pigeonhole everybody, and trying to make the gap really narrow, and I think that they've opened that up a little bit.
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