A Quote by Travis Rice
They were all just chapters in the book, stepping stones. Each was perfect for where we were at the time, and I'm proud of them all. We couldn't have done this film [The Fourth Phase] without the other films pre-dating it and being part of the process.
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I found the people to be very kind and generous. It was unique because the crew was mainly Ugandan [filming The Last King of Scotland]. They had never done a film before. So, they were learning the process of making films, but at the same time they were also helping with the authenticity of the film.
Without mentioning any names, there was a film that was being done, and I ran into the producer on the plane. It was a book that I really, really loved, and I said, 'I'd love to be a part of this.' And they made it clear that that was not going to be possible - for no particular reason other than that there was just no part for a black person.
We became so close [with Rachel Evan Wood], in the process of leading up to making the film [Into the Forest ]. We were saying goodbye to each other, wrapping the film, and we knew we'd be seeing each other again.
When I was a Hollywood press agent, I learned how the Hollywood casting system worked. There was a roster of actors who were always perfect as doctors or lawyers or laborers, and the directors just picked the types they needed and stuffed them into film after film. I do the same [with
my characters], book after book.
I hope I'm always lucky enough to be able to work in theater, TV, and big films and small films. I think there's advantages and disadvantages to all of them. The fact that this was a small film without much money and without much time made it rich in energy and momentum and drive when we were actually making it 'cause that's all you've got. You've just got the story and the people.
If two stones were placed... near each other, and beyond the sphere of influence of a third cognate body, these stones, like two magnetic needles, would come together in the intermediate point, each approaching the other by a space proportional to the comparative mass of the other.
We couldn't predict what would happen with 'Roots.' You knew there were powerful moments that were going to affect people. We were making the film while the book was being completed. We were fortunate because the hardcover book was out and on the best-seller list. The heat was still on.
The most rewarding part about being a dad is just looking at children who didn't exist at some point. The first time you saw them, they were the size of a quarter, in a sonogram, and now they can pour orange juice and yell at each other.
While researching the project [The Fourth Phase] I stumbled across this amazing research by a scientist called Dr Gerard Pollack who had done studies on what he called a 'fourth phase' of water.
I was uploading on YouTube and stuff, and they were liking it or whatever. I just kept elevating and elevating. I had little setbacks, but I used them as stepping stones.
It was a struggle for a long time. My parents were rightly cautious, in the sense that they were like, "We want you to do what you want to do. We just also want you to not have to sleep on an air mattress for the rest of your life." What was beneficial for me was that I did everything I could to let them be a part of my life and show them how seriously I took comedy. This is my way of helping people and contributing something to society, and I'm doing everything I can to be as funny as possible without embarrassing them. They're proud now.
Baltimore, it's been an amazing place and experience. It's opened my eyes a little bit just of other organizations. I'm proud to be a part of this team, proud to be part of this group of men that really challenged each other, never pointed the fingers, never turned our backs on each other.
I had written three books [Games of Throne], at that point, and each one of them was better than the other. At a certain point, as the books were doing well, I started getting interest from Hollywood, from various producers and studios who were initially interested in doing a feature film. I met with some of those people and I had phone conversations with some of those people, but I didn't see it being done as a feature film.
When I was around 12 or so, I saw 'The Shining.' I just remember that being a turning point for me, where I started to think about the fact that there was a hand behind the film. That it wasn't just this magical story being told - there were actual people crafting these films, and they were works of art.
I did not feel proud of our country, seeing that we were bombing peasant villages, that we were not just hitting military targets, that children were being killed. We were terrorizing the North Vietnamese with our enormous Air Force. They had no Air Force at all. They were a little pitiful country and we were terrorizing them with our bombs. And no, I did not feel proud at all.
We were great mates. We didn't really go out together because we never really had the time to go out. But we were with each other all the time anyway because we were working all the time. We could sit down and talk for hours, and we still can. We just understood each other.
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