A Quote by Trent Alexander-Arnold
It's not important to me where I'm playing, just as long as the manager is happy and trusting me to go out on the pitch.
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There is stuff going on inside me. But I have always been told to go out there and pitch like you can't tell if you just struck somebody out or just gave up a home run. If something bad happens, I don't dwell on it. Just give me the ball and let me pitch.
I'm not particularly into people giving me credit. It's not something I think about. It's not important to me. The only thing that's important is if I'm doing my job properly on the pitch for the team and for the manager.
I'm not looking into the future. I take every game as it comes, and as long as I am on the pitch and playing football, that is what keeps me happy.
I don't really mind where I play, as long as I'm playing. I'm just happy to be on the pitch - as long as it's not defensive.
When I'm in the game [softball], it's not so much mechanics. It's more of just trusting my teammates, trusting myself, trusting my preparation that we've put in to get there. When you're in the game, it's go-mode. There's going to be times when you're tweaking things but when you're in that game mode, you just want to think about that one next pitch.
At City, when I was playing, I knew that at some point, the substitution board would go up, and I was going to come off because the manager didn't have trust in me. Then, you start to lose your confidence on the pitch.
I have to look for my happiness, and that is being out on the pitch, playing well, and scoring goals. That makes me happy.
I almost never pitch myself. Me being an independent producer, never having a manager and never being signed, I pretty much just did my own thing: go out and search for the new talent, and when the new talent blows up, it just kinda brings everyone else to me.
Those type of people [in New Orleans] keep me happy and just smiling, you know? I just go hang out and talk with them and they tell me all types of old stories, and sometimes I might even pull my horn out in the middle of the block, and they're playing on beer bottles and different things, and we just do a little second line type thing, just us, four or five people, who are just having fun. That makes me day to be able to do that and go hang out with the people in the (Treme) neighborhood, and to do some shows around town, you know?
I met my manager when I was in high school and I just started playing guitar. He came from a line of managing incredible artists. He said instead of opting for the quick fix he wanted me to go out and live my life and get some experience under my belt and keep in touch. It took me a long time to get to where I am but I wouldn't change it for nothing. It's been very valuable. Life happened and then the music came.
It's an honour every time I get the chance to go out on to the pitch, whether it be starting or as a sub, so I'm just happy to get on the pitch whenever I can.
I think I am someone who is happy playing football. It is just that. Whenever I go onto the pitch, I always try and be happy. That is the big motivation that I have always had. Nothing else.
The Premier League is the toughest in the world probably, there's not going to be an easy game. It is what I've dreamt of, so when I step onto that pitch I'm just playing how I want to play, playing with freedom and that is what the manager wants.
Playing live is about going for it .. it's about bringing it ... you should see a bunch of people trying out stuff, actually performing, instead of learning the record and recreating it note for note. I can't play the show the same way every night .. I really need to be in a creative environment, every night or I'll go nuts ... my manager accuses me of singing just long enough to get me to my next guitar solo - which is true.
Its always important to fall back on your instincts and core beliefs and that was pretty hard for me to do but trusting in my self the way I trusted that if I were to sit at a piano for two hours and I was going learn something, that trust I'd put in myself really helped me get through it. For five to six months I just wrote songs and believed they would turn out to be things I could be proud of and be happy.
Everything with me is normal except when I pitch (in Fenway Park). When I pitch here it's a little different. There is a little more anxiety to go along with the nostalgia because this is the park I grew up with as a kid. This is the park I dreamed of playing Major League Baseball in and no other ballpark has that feeling for me. There are a lot more family and friends here than in my normal starts and I want to pitch well here.
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