A Quote by Trent Alexander-Arnold

I was probably 13 or 14 when I realised I had a chance to make it. That's when I realised that a bit of education had to be sacrificed in order to become a footballer. — © Trent Alexander-Arnold
I was probably 13 or 14 when I realised I had a chance to make it. That's when I realised that a bit of education had to be sacrificed in order to become a footballer.
I realised after doing 'Tanu Weds Manu' that I had become fat and was not performing to the mark. I realised that I had become a terrible actor. I did 'Jodi Breakers,' which did not do well. So, I moved away from the film industry and lived with the common man to know where I was lacking and what do they want from an actor.
When I was about 12, I realised I wasn't going to make it as a top footballer, but I won my first British ABA title at 13. From then on, I wanted to be a world champion.
I had long had an instinct about there being a role for me in a creative industry. Maybe I didn't listen to that voice as much earlier on, but when it had become a deafening sound in my head I realised I had to go and explore it.
It wasn't until the birth of my daughter that I realised I had to get it together. I had my second chance in life to do what I'm doing, which is inspire people to not give up.
I lived in Hollywood and, ironically, I didn't know you could just go out and get an agent and go on auditions and try and become an actor, I thought it was like a Masonic thing, like a blood line you had to belong to – until I was 13. Then I realised what you had to do. It is the one thing I know I want to do for the rest of my life.
I realised at 13 or 14 when I said, OK, I wanted to be professional racing driver, there wasn't anyone to look up to that I could aspire to or get inspiration from. But that didn't stop me.
At graduate school in 1999, I finally had the chance to examine why I believe what I believe. I realised that I'd had no period in my life where I'd consciously tried to develop my own theology.
When I was 14, I told my mother I intended to be in the House of Commons in the morning, in court in the afternoon and on stage in the evening. She realised then a fantasist had been born.
When I was 14 I told my mother I intended to be in the House of Commons in the morning, in court in the afternoon and on stage in the evening. She realised then a fantasist had been born.
He had realised that most vital of humanities. he had touched lives. And he had raised three boys that no one had wanted into men.
When I went to art school, I was just having fun. I realised that was the last chance I had, and then I would have to get a job.
For 13 years, I struggled with education and have only just realised that I was actually struggling to protect myself from it. I was trying to protect my soul.
I realised that in my last two bodies of work - the mural and the Chanel pieces - that I didn't use any make-up because I was changing the faces digitally, and I realised I missed make-up in a major way.
My mum used to tell me when I was a kid that I had to go to bed at 7.30 P.M., and when I'd ask why, she'd say, 'Well, you do get a bit grumpy when you don't have routines'. Then I realised, when I was a bit older, that's actually true.
I loved English at school and realised I would enjoy studying plays. I got into Royal Holloway. They had a little studio theatre where we put on plays, and that's what I realised I wanted to do. So from there, I went to the Old Vic theatre school to learn how to do it properly.
I realised I had to work in something creative, but with a business and global element. And that I had to do it while I was still young and had an appetite for risk.
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