A Quote by Trent Reznor

I was never a Lime Wire guy because it's too much hassle to find the song. — © Trent Reznor
I was never a Lime Wire guy because it's too much hassle to find the song.
The thing that's interesting about wire walking is that we never get to see it other than looking up. It's like a circus thing. It's a guy on a wire.
I masturbate. A lot. And yet, I don't floss because it's too much of a hassle. Ten seconds of joy over a lifetime of tooth decay, that's what I've chosen.
I was never part of that cliquey girl drama. Most of my friends were guys growing up, so I was never part of that whole toxic energy. It seemed like way too much hassle.
You're never going to find a guy who's exactly like you - first of all, because that guy never leaves his dorm room.
People don't tend to hassle me because when I've got a hat on, I look like a banker. I'm just a plain guy.
I mean that's something we're very conscious of when writing. Tempos are very important. Like "Oh we can't play the song too fast because people aren't going to feel it." There's a pulse to a song. You can't play it too slow. We're always trying to find the perfect tempo.
You should never worry too much about achieving your goals, because in the long run you might not find yourself too happy when you get there.
The guy, Magic Johnson, built a business empire and you don't do that just because you have a pretty smile. The guy is definitely a smart guy, knows what he's doing. He's a basketball genius. So to downplay that and disrespect that, I thought it was stereotyping him way too much.
To find one's way anywhere one has to find one's door, just like Alice, you see. You take too much of one thing and you get too big, then you take too much of another and you get too small. You've got to find your own doorway into things.
However, there probably is a slight connection between the high-wire, super sensitivity, open to everything and too much, and slightly fragile soul of the artist and the need to self-medicate, which can lead to bad trouble either in drugs, or alcohol. So it's not that there's no connection, it's just that we can't make too much of it because it isn't the addiction that's the issue, it's the fragility of some people who do artistic work, who end up in rehab somewhere or other.
It's hard being the guy that brings in a song, because you're very, you know, it can be something that you get too sensitive about.
I stopped watching TV because of 'The Wire.' Like, 'The Wire' ruined everything for me because I don't even want to watch anything else now.
In every song I write, whether it's a love song or a political song or a song about family, the one thing that I find is feeling lost and trying to find your way.
It would have been hard for Fat Charlie to say exactly when the accumulation of birds on the wire mesh moved from interesting to terrifying. It was somewhere in the first hundred or so, anyway. And it was in the way they didn't coo, or caw, or trill, or song. They simply landed on the wire, and they watched him.
What makes 'The Wire' a beautiful story is how true to life it is. In other shows, you have a good guy and a bad guy. In 'The Wire,' bad guys are trying to be good, good guys are doing bad. You have real life. The people who do bad get bad things done to them.
You don't want to be too cool. But you don't want to be too dorky. Still, I find it so much better to see a guy at a club being a dork, and having fun, than trying to be sexy.
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