A Quote by Trent Reznor
What is exciting is taking back the excitement of being able to debut something to an audience in exactly the way you want to.
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If you are a designer, sometimes it is better not to delegate, because someone pays money for something that you designed, so it should be exactly the way you want it, exactly the way you would have chosen it. People call me a control freak, and I say, "Well, my name is on the shoe." It means the heel needs to be the way I want it and not the way somebody else wants it, and the toe needs to be exactly the way I want it, and the fabric and the material have to be exactly the way I want it. It is not a democracy - it is a dictatorship.
Part of the joy I'm discovering in acting is the fact that it's uncomfortable to me, that it's challenging, and the possibilities of always being able to improve on something, of always being able to try something new, it's intriguing and exciting.
That excitement of how music makes you want to dance - that's what got me back into it, and that's what 'Honey' is about. Me just being able to enjoy myself again.
What we do now is to be valued - but we need to do more, so that it's more exciting to other people, and therefore that excitement shines back on us and we're able to have the energy to do more, to widen our creativity.
There's something so awesome about being able to get up in front of a microphone and do exactly what you want. Stand-up is as close as you're ever going to get to being 100 percent in control of a situation artistically, and I don't understand why people wouldn't want to keep doing that.
When someone tells you something big, it's like you're taking money from them, and there's no way it will ever go back to being the way it was. You have to take responsibility for listening.
Being able to sign for a club like Bayern Munich is exciting. I've been dreaming about this since I was a kid. Those are the guys that - you know - as a kid, I was looking up to. Watching them on TV, playing with them on FIFA. Getting to be able to meet them and being able to play on the team is just exciting.
I've always felt that I shouldn't scream on the air...I just feel there's a way of rising enthusiastically if there's an exciting play, but you don't have to scream. There are people who do shout, and I think that's unnecessary. You have to be under control at all times, no matter what's taking place. Enthusiasm and excitement can be expressed without going berserk.
The live audience, just getting an instant reaction off of an audience is the best part[of the show]. Being in the studio and working on your songs and listening to them back and doing all that - it's a lot of fun, but having that instant reaction and being able to work and vibe with an audience is the best part.
If you're in the groove, you get something back from the audience that is so exciting and rewarding that no film or television work can possibly compete.
The one thing that I love about the live audience is the energy level. Like, from the minute of cast introductions, it's just constant energy being traded back and forth. When you do something funny, the audience laughs; when you're being serious, you can, like, feel the tension going through the audience.
I think I’m greedy, but I’m not greedy for money – I think that can be a burden – I’m greedy for an exciting life. I want it to be exciting all the time, and I get it, actually. On the other hand, I can find excitement, I admit, in raindrops falling on a puddle and a lot of people wouldn’t. I intend to have it exciting until the day I fall over.
I saw the excitement, going to different places, being able to explore emotion in a healthy way.
I think the idea of being on stage and playing for people, and being able to inject a little bit of joy into their lives is a really exciting concept for me. That's definitely why I make music. It's never been for any kind of materialistic reasons, so that thought of being able to be up on stage, and being able to give something to someone in a moment of need for them - that gets me up in the morning; that really excites me.
I just want to do something risque for my debut, purely because I didn't want to make an entrance being the pretty, sweet type that I've been seen as for the last 3 years.
A lot of overdubs from the last couple of records had to do with me being insecure about the way my voice sounds or the way I play guitar. I would want to mask it with extra things, or keep every moment super exciting. With the newest record, I tried my best to back off, and if something wasn't interesting at every moment, or if my voice didn't sound that good, just let it go and accept it.
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