A Quote by Trentemøller

If the melodies are strong, it's much easier to see which way I can take them sound-wise. — © Trentemøller
If the melodies are strong, it's much easier to see which way I can take them sound-wise.
The way you can see what an actor brings to a role is you turn the sound off. Everything else becomes subtext, the wink and the nod, and the attitude and all that kind of stuff is a little easier to see with the sound off.
I have always had problems with my voice, and the piano helped me believe the song could be bigger than my voice, and I could play with new melodies and things that I couldn't on guitar. It was easier to make the sound fuller and easier to get away with not being as good.
The instrumental record is a bit subtler. It's the kind of stuff on sound check, when I first pick up my violin and start to play, the kind of melodies that just pour out of me. Some of them sound very classical. Some of them sound experimental, polyrhythmic loops that I make.
I like to sort through music and see whatever pops out to me or inspires me. If I could have a production team going and kind of mix records with me, that would be cool; to take the records and have them sound the way I want them to sound. But I'd rather sort though music to find them things.
The first time I started listening to Irish music, I had a very strong connection. Strangely enough, there's a great many Japanese melodies and vocal styles that sound very much like Hungarian music. You start seeing all these cross-references and comparative, independent musical cultures.
When we sit in meditation and hear a sound, we think, 'Oh, that sound's bothering me.' If we see it like this, we suffer. But if we investigate a little deeper, we see that the sound is simply sound. If we understand like this, then there's nothing more to it. We leave it be. The sound is just sound, why should you go and grab it? You see that actually it was you who went out and disturbed the sound.
The game has slowed down for me. It's so much easier than it was. I feel like I see things better, and I can take advantage of what I see.
Facing them (men) with knives and spears was much easier than loving them, much easier.
There's strong men of wisdom in many different fields. They say 5% of the people are wise and righteous and 10% are wise but use their wiseness for wickedness or to deceive others. It's like a magician: he knows the answer to the trick, but you don't. He has to keep you blind to the truth in order for the illusion to work. When you've got that kind of wisdom and somebody else doesn't, you can always take advantage of them.
I would employ the wise and strong of the empire, using righteousness to lead them. In this way, nothing is impossible.
This of course is the way to talk to dragons, if you don't want to reveal your proper name which is wise, and don't want to infuriate them by a flat refusal which is also very wise. No dragon can resist the fascination of riddling talk and of wasting time to trying to understand it.
I don't want to sound like a self-help book, but it really has been transformative for me to take a look at my relationships in a new way and see my part in them. Everybody's going through that.
They did not understand a single word of what he was saying, but that made no matter, for they put their heads on one side, and looked wise, which is quite as good as understanding a thing, and very much easier.
The wise say that it is not an iron, wooden or fiber fetter which is a strong one, but the besotted hankering after trinkets, children and wives, that, say the wise, is the strong fetter. It drags one down, and loose as it feels, it is hard to break. Breaking this fetter, people renounce the world, free from longing and abandoning sensuality.
Much has seen said of the wisdom of old age. Old age is wise, I grant, for itself, but not wise for the community. It is wise in declining new enterprises, for it has not the power nor the time to execute them; wise in shrinking from difficulty, for it has not the strength to overcome it; wise in avoiding danger, for it lacks the faculty of ready and swift action, by which dangers are parried and converted into advantages. But this is not wisdom for mankind at large, by whom new enterprises must be undertaken, dangers met, and difficulties surmounted.
In the past, I've written my songs and then asked friends if they could record the vocals. I didn't want to use my own voice, because other people have much better voices. I was hearing the music with a voice that I don't have. It was a case of pulling whatever resources I had to get the sound I wanted, but that doesn't take anything away from the authorship. They are songs written by me that sound the way I want them to sound. Whether it's my voice or someone else's doesn't make a difference to the music.
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