A Quote by Trevor Ariza

Not any particular position, just whatever the coaches ask of me, I try to do. — © Trevor Ariza
Not any particular position, just whatever the coaches ask of me, I try to do.
I am a receiver, I am an athlete, at the end of the day. So, I can play any position that the coaches draw up for me and put me in the best position to make plays.
This is the deepest experiment of life. And whatever has been discovered in regard to life, this is the most significant finding of all: don't ask for happiness if you want to be happy, don't ask for peace if you want to be peaceful. Whatever you ask for will be lost. Whatever you do not ask for you will get. You have asked many times and seen that you do not receive it. Now try not asking and see. There is no need to believe me; there is a need to experiment.
Joe Lansdale is one of the few writers able to write in whatever genre or mode he wants on any particular day. How? He doesn't ask permission. He just steps in, out-writes everybody in the room.
For me, the most comforting thing is that the team management thinks I am comfortable in any position I am assigned. They trust me so much and if they give me responsibility of batting in a particular position I also respond positively to it.
What I feel is there are certain demands that you have to satisfy in any piece of writing. When it's just for me, it's just for me, but if it's a piece for a particular publication, I know what they're going to ask for.
Some coaches prefer players who will just do whatever he tells them to. It's like, if you're at school with a load of 10-year-old boys and you tell them to jump, everyone will start to jump. But the intelligent boy will ask, 'Why should I jump? Why?' That can be difficult for a lot of coaches, and I understand that.
Every film I try and make it the way I see it in my head, and it really just depends on the script and the people I'm working with or whatever interests me at that particular time.
I'm just going to do everything my coaches ask me.
I go out there with whatever the coaches call, and whatever they do, I just go out there, and I'm the player. Coaches coach, and players play.
I think I fit into any type of system because I don't really have a certain position. Sometimes people try and label me, but I don't look at myself as being locked into one position.
You can't ask the guy with the checkbook to always be the person. So, we actors have to try. And believe me, it's not just young people who are struggling with this, trying to get things of substance made because of the proliferation of technology that it's just harder and harder to get things that really matter made. But they are being done and you just have to fight the good fight and try to... if you have something that you have written, you have to do your best to try to get it made in whatever way you can.
You can kind of just move me around and put me anywhere - whatever the coaches and the guys on this team need me to do.
I stand up, sure of one thing and one thing only. That my father will come and get me. He won't give me a lecture, he won't try to teach me a lesson. He won't ask a thousand questions or ask me to apologize. He'll just come and get me. "Just tell me where you are.
Films, fiction, can encompass a whole global vision on a particular subject with any story, whatever it is. You can play the story in whatever country with whatever language in whatever style you want to tell the story in.
One of my coaches encouraged me to try it. In the beginning, I didn't want to take any free-kicks but he pushed me to do it. Then I started scoring a few goals and everything changed.
I'm not the guy who does slo-mo, or I'm not the guy who does splashing rain or doves flying or anything; that's not me. Every film, I try and make it the way I see it in my head, and it really just depends on the script and the people I'm working with or whatever interests me at that particular time.
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