A Quote by Trevor Donovan
I think fear is unavoidable and that, when recognized and embraced, it's something that can work for you - especially in the audition room.
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I think fear is unavoidable and that, when recognized and embraced, its something that can work for you - especially in the audition room.
When we first started Fear factory, we asked ourselves what Fear Factory means, it was a cool name, but what did it mean? We obviously embraced the technological side of a factory, as a factory can be anything from something that insights fear, like a government machine, to something of futuristic technology, or it could be religion. So we embraced the technological side of it back in the early days.
There was one female role, which was Emily. When I did the audition, I flubbed up. It was my first audition back from Christmas break, and I flubbed up and was devastated. In the audition room, they were like, "Oh, you did great!," but you never really know. So, I left the audition in tears.
I went in for an audition [for As Good As It Gets], but the audition was with James L. Brooks. I was the first girl in that morning, and there was a whole waiting room of girls waiting to read for it. So I did my audition, and he asked me to step outside. So I stepped outside, and when he asked me to come back in, he looked at me, and he said, "Well, I'm very excited to work with you on set." And I was, like, "What?" I thought it was a Hollywood blow-off.
I would drive down in my Volkswagen Jetta to Los Angeles and just audition, audition, audition, audition, and hopefully get something. I did that for two years, and the third year I came down, I auditioned for 'How I Met Your Mother.'
I like to go into an audition room, particularly when they think I'm not right for a part, and really fight for it. There's something so exciting and challenging about proving to yourself that you can pull it off.
I went into the audition room with the mindset that 'Little Fires' was going to be my last audition. I put my all into it, but I didn't get my hopes up.
Never be frightened! Be fearless! There is no room for fear. Fear is death, fear is sin, fear is hell, fear is adharma and fear is disloyalty. All delusions emanate from this evil called fear.
All that ever holds somebody back, I think, is fear. For a minute I had fear. [Then] I went into the [dressing] room and shot my fear in the face.
It's an unavoidable truth. Fear of life closes off more opportunities for us than fear of death ever does.
I actually take images of things and put them up around the wall and in a room. I set a room aside. It might be colors, it might be animals, or energy and words. And I'll just leave it there, so it begins to work on my subconscious when I think about the character. Which gives me some latitude to be really flexible and spontaneous but within the context of the character and the world of the character without having to think about it. Or I'll look at something or read something and let it work on my subconscious mind.
Auditioning and actually acting on a set are two different things. When you audition, you're in a room and you don't have anything to play with and you don't have anything physically in the room. Whereas on set, you have direction, you have costumes, and you have other actors to work with. It's a completely different thing.
My work was not embraced for many decades. I would have killed myself if getting embraced affected me so much.
Some people work very closely with a director or a producer on something, and from the get go, they're collaborating. But typically, it's just go in for an audition, do the best you can, and if the phone rings a couple of days after the audition and you get the part, that's great.
I didn't tell anybody [had got a role at As Good As It Gets], because I was just going, "Well, that was the strangest audition..." And I just thought, "There's no way he gave me the job on the spot when there was a room full of other girls waiting to audition for it." But then I didn't hear anything for a couple of days, so I finally called my agents, and they're, like, "Oh, yeah, congratulations! We know Jim [L.Brooks] told you in the room that you got it."
I don't think I'll ever get to a place where I'm super kumbaya coming into an audition room.
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