A Quote by Trevor Dunn

Pop culture is not about depth. It's about marketing, supply and demand, consumerism. — © Trevor Dunn
Pop culture is not about depth. It's about marketing, supply and demand, consumerism.
I put so much pop culture in my movies because we speak about pop culture all the time. But, for some reason, movies exist in a world where there's no pop culture.
For me, pop culture is very fluid: it's music, it's movies, it's books, it's art, it's tech, it's so many things - and as marketing and brand advocates, we should be able to to take products and services and match them to what's happening in pop culture.
We are headed toward 'perfect capitalism,' when the laws of supply and demand become exact, because everyone knows everything about a product, service or customer. We will know precisely where the supply curve meets the demand curve, which will make the marketplace vastly more efficient.
I'm a staunch believer in the effect of pop culture - including advertising and the internet - on the young. Pop culture in its narrowest sense - mass-produced film, TV, and music - either truly reflects what's up in youth culture, or it reflects what youth-filled focus groups have told marketing companies that they want to consume.
There's something retro about the pop culture references in the paintings, so I'd imagine it's not as much a pop culture reference as a pop art reference.
I think America and Britain have a different culture from France. They discovered marketing and consumerism before France.
I've found that no one complains about pop culture being a source of someone lecturing to them. If someone's telling you about Kim Kardashian, you're not going to accuse them of lecturing to you. If I can explore an intersection between pop culture and science literacy, then it generally will not come across as a lecture.
The opinions that the price of commodities depends solely on the proportion of supply and demand, or demand to supply, has become almost an axiom in political economy, and has been the source of much error in that science.
I am a pop culture person. And car people have clearly contributed to pop culture, which is how I knew about purple French tail lights and 30-inch fins without exactly knowing what they were.
You want supply to always be full, and you use price to basically either bring more supply on or get more supply off, or get more demand in the system or get some demand out.
There's a rich history at Westboro of parodying pop culture. The thing about pop culture is that it gives us a shared language. We were constantly trying to co-opt things that were popular to deliver our own message.
I don't know anybody in the opera business who isn't worried sick about how best to reach out to underpaid millennials who were suckled on the new on-demand pop culture, which supplies them with cheap, unchallenging amusement around the clock.
Creativity is not about making 30 songs in 30 days. It's never about demand and supply. No one can possibly do that.
We live in an era of consumerism and it's all about desire-based consumerism and it has nothing to do with things we actually need.
I'm aware of how pop culture really infiltrates your expectations in a way that even if you think you're savvy about pop culture, it's so hard not to have these expectations of what a relationship should be. So I constantly feel like I have to bat those expectations down.
I talk a lot about photography. It's cheap becuase my supply always exceeds demand.
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