A Quote by Trevor Dunn
I think it was more personal, but I certainly tried to adapt certain concepts of Surrealism.
Related Quotes
They tried to get me to use a pick when I first joined the band. They had certain things they thought were appropriate. I tried to adapt as much as I could.
Whatever I've worked on, I've always tried to make my writing personal. I think that's what makes my books somewhat different from what other scientists are doing. You have to tie concepts into everyday life, or they just won't be interesting for readers.
I think biography can be more personal than fiction, and certainly can be more expressive.
I was thinking of the word Surrealistic . . . I don't think it should be used exclusively with my photographs. The meaning is close but I think my tendencies are more toward the whimsical or absurd. Surrealism is more connected with morbidity. From that I am very far away.
Surrealism! What is Surrealism? In my opinion, it is above all a reawakening of the poetic idea in art, the reintroduction of the subject but in a very particular sense, that of the strange and illogical.
The experimentalists think that we can only get at our concepts by way of empirical investigation, while the armchair philosophers think that we can skip the experiments and figure things out from our armchairs. What they have in common, however, is regarding our concepts as the targets of philosophical theorising, and I just don't think that, in the vast majority of cases, the subject matter of philosophy has our concepts as its target.
When one admits that nothing is certain one must, I think, also admit that some things are much more nearly certain than others. It is much more nearly certain that we are assembled here tonight than it is that this or that political party is in the right. Certainly there are degrees of certainty, and one should be very careful to emphasize that fact, because otherwise one is landed in an utter skepticism, and complete skepticism would, of course, be totally barren and completely useless.
Instead of stubbornly attempting to use surrealism for purposes of subversion, it is necessary to try to make of surrealism something as solid, complete and classic as the works of museums.
Writing doesn't come easily to anyone, I think, certainly not to me. But pressure and practice does lend a certain fluency, I think - the more sentences you write, the more sentences you have written, if that slightly Zen confection makes any sense.
I have a personal trainer. But I tried boxing; I tried ballet. I tried everything to see what works best for my body.
In my personal life, my family makes me laugh more than anybody; I think that is the same for everybody. I certainly hope it is.
I think that I would really like at first for the art to speak for itself. I don't see the need for a lot of personal information about my past or who I am. I would rather the personal side of it just be in the concepts and the genuine feelings that I filter through my work. I know that it's inevitable that people can find whatever they want about me. Once I've had a chance to create a language and a world with my art, then I'm more comfortable sharing that information.
Surrealism had a great effect on me because then I realised that the imagery in my mind wasn't insanity. Surrealism to me is reality.
The successful human being is adaptable. We have to adapt to changes in weather. We have to adapt to changes in climate. We have to adapt to changing economic circumstances. People that don't have the flexibility to adapt or who are afraid of change or who oppose it are going to be left behind.
When you get free from certain fixed concepts of the way the world is, you find it is far more subtle, and far more miraculous, than you thought it was.
I think the aim - and certainly the aim of what I've tried to do since leaving - is not political and certainly not a witch hunt at individuals. It's to try to direct our attention at what I believe is a fundamental fault analysis that we must now examine.
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