A Quote by Trevor Jackson
There is no point of doing anything if you're not going to do it all the way.
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And she [Margaret Thatcher] also had a sort of a way, like a railroad train, of going, taking a breath and starting quite quietly and making a point in a way that you don't really know that this point is going to be made through several examples, and there will be not be a break in the speaking voice at any point.
There's no difference between a pessimist who says, "Oh it's hopeless, so don't bother doing anything." and an optimist who says, "Don't bother doing anything, it's going to turn out fine anyways. Either way, nothing happens."
What if there's another terrorist attack? I cringe at the ideas of our enemies watching this, knowing much like the president we have now. You can do anything you want, you can jerk us around, you can harass our naval ships the way Iran is doing right now, and we're not going to do anything. We're not going to react.
The point came when people were doing things I didn't feel competent to do myself. I'm not being modest; I honestly get lost. I was lucky in spotting what I did when I did, but there comes a point where you realise what you're doing is not going to be much good.
I feel like at this point in the world of just creating anything, you're not going to be able to create anything new. I think the closest thing you're going to get to originality is a mixture of influences.
What keeps you motivated? The challenge of putting all the elements of a team together and seeing how you do and what you become is the thing that I still enjoy. I also enjoy the associations and relationships with the players and other coaches - to be in the arena, so to speak. I still enjoy that. I'm also at the point, though, that if we're not doing well - it's tough enough as it is - that I'm not going to be hanging on just to be hanging on. Because it's not anything I need from an ego standpoint or anything else. I just thoroughly enjoy what I'm doing.
One of the things I enjoyed when working in manga was when I couldn't tell where anything was going because there weren't narrative tropes and structures I was used to. After doing it for seven years, I got to the point where I did see structures. I did start to learn, but at first I didn't know where it was going. It was very exciting for me.
You look at the Middle East, you started the Iran deal, that's another beauty where you have a country that was ready to fall, I mean, they were doing so badly. They were choking on the sanctions. And now they're going to be actually probably a major power at some point pretty soon, the way they're going.
I allowed myself to think if I could be doing anything in the world, what would I be doing? And what came to mind is I'd be traveling a little bit, I'd be going to classes and I'd be going back to school.
When you are developing your style, you avoid weaknesses. I am not good at describing things, so I stay away from it. And if anyone is going to describe anything at all, it's going to be from the point of view of the character, because then I can use his voice, and his attitude will be revealed in the way he describes what he sees.
You are who you are. It doesn't make any point to go out and buy the Top 40 albums to see what those acts are doing. There's no point in hearing what's going on. The only thing that's going on is what's been going forever. It's just that some people dig that bag and some people dig the other bag.
Maybe because we're women, we have a very high respect level for each other. And when you do have ownership, you're going to make it the best it can be. And I think that's a really - although subtle - very important point in - when you're doing anything creative.
I prefer to surprise myself as I'm writing. I'm not interested in it if I already know where it's going. So I have only the most general sense of what I'm doing when I start a story. I sometimes have a destination in mind, but how the story is going to go from Point A to Point Z is something I make up as I go along.
But to your point - you also raise a point, too, that it's not that, like, a bromance is necessarily a new thing. It's happened a lot in sort of big budget comedies in the past decade or so. But people have pointed out to us that we're doing a bromance, so to speak, but doing it in a different way that's even more authentic and real and sincere.
In my early teenage years I wasn't doing well at school and I wasn't really interested in a way. I knew I wasn't going to go to uni or anything like that.
If you are going to do kaizen continuouslyyou've got to assume that things are a mess. Too many people just assume that things are all right the way they are. Aren't you guys convinced that the way you're doing things is the right way? That's no way to get anything done. Kaizen is about changing the way things are. If you assume that things are all right the way they are, you can't do kaizen. So change something!
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