A Quote by Trevor Jackson
People say things they'll never do but then do them because they want to be a part of 'this great thing.'
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I don't want people at my shows to come out and say, 'I just saw a cool show.' I want them to say, 'I had fun at the show.' I want it to be a collaborative thing and be part of the audience and have them be part of me. I try to interact with everyone there and have them be equal to me because they are.
I've always considered myself a failure: I feel I've never done anything wholly right. [...] Everybody will tell you, "Oh no, how can you say that, because ten thousand people clap you on a night?" But part of that is reflex action and part of it is because you're reasonably good. But if you're great, that's a different thing.
I want to concentrate on winning things with Barcelona and Argentina. Then if people want to say nice things about me when I have retired, great. Right now, I need to concentrate on being part of a team - not just on me.
The funniest thing is I never understood why actors were so shady about who they're dating. Then I realized the things you say get printed and the people you're involved with read them. That's what's tricky. Nothing goes unnoticed. I don't want to get myself in trouble!
It's not that people want to be like me, but some want to say the things I say and can't because they're afraid. I say it for them.
I never want to make videos with people who don't want to make them with me. I don't want to force people to take part. Only people who want to collaborate. And that's important because otherwise, the videos wouldn't work. Them choosing to take part is very important to the videos.
The great thing about writing is that...you can do all these antisocial things and you get paid for them and nobody ever arrests you because they're all make-believe. Then that way if you were actually ever driven to do any of those things, the pressure's off because you'd have already written them down. It's therapy.
If people ever look down upon you for crying for fictional characters, you should give them a gentle, pitying look and feel bad for them. If they've never cried for a fictional character, then they've never loved one (and what a joy that is). If they've never cried at a book, a movie, a piece of music, then they've missed one of the great pleasures life has to offer. Just because fiction does not contain things that are real doesn't mean it doesn't contain truth, and we find it through the alchemy of our tears.
You don’t have to know a lot of things for your life to make a lasting difference in the world. But you do have to know the few great things that matter, perhaps just one, and then be willing to live for them and die for them. The people that make a durable difference in the world are not the people who have mastered many things, but who have been mastered by one great thing.
I do have a lot of difficulty figuring out what I want to be working on, but what's the alternative? To be one of those people who has a million things they want to do, and then never does any of them? And then where will you be?
The wise stand out because they see themselves as part of the Whole. They shine because they don't want to impress. They achieve great things because they don't look for recognition. Their wisdom is contained in what they are, not their opinions. They refuse to argue, so no-one argues with them.
I never say never about a lot of things. Whatever you want, then more power to you. If someone feels they have to live up to a certain image, then I can kind of understand that pressure because I'm considered to be one of those images, and I know how unreal they are.
I cant lie - I love talking to the people at my shows. Im so grateful to all my fans. I couldnt do it for this long without them. So if they want to come past to say hi and whatnot, then its part of my job to talk to them - and you know, it might be the best part of my job, too.
One of the things that's funniest about the entertainment industry and comedy is that people go 'Oh, you're great, but I don't know what to do with you.' The great thing about the Internet is that nobody has to figure out what to do with you. You can figure out what to do with you, and you can say, 'I made this thing, and I'm going to put it out, and now if people want to come see me and buy things from me they can.'
I think the hardest part is figuring out what to say no to because the whole start of your career is just begging anybody to let you perform or to contribute music to something. Then it's like turning on a faucet because the moment it's on, people are like, "Oh, you can do stuff? All right. Well, you want to do it every single thing?
I just feel like when a good project comes along, I'm not going to discriminate against it because it's television or because it's a film. I never want to say no to something just because of the area that it's in. If it's a good story or I think it's going to be exciting to play or exciting to be a part of, then I'm going to be a part of it.
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