A Quote by Trevor Moore

I was fascinated with the writing process and seeing the evolution of a sketch and how it would change up to the minute before it went on the air. — © Trevor Moore
I was fascinated with the writing process and seeing the evolution of a sketch and how it would change up to the minute before it went on the air.
All change is change for the better. There is no such thing as "change for the worse." Change is the process of Life Itself, and that process could be called by the name 'evolution.' And evolution moves in only one direction: forward, and toward improvement.
Change itself is changing. The process of evolution itself is evolving. There is a meta-evolution, or a metachange that is taking place. And in that process what you see is actually an increasing contrast between change and the eternal or the unchanging.
I love writing songs with people, which is about really taking risks, throwing yourself over the falls and really seeing what you're made of and seeing how it sticks. Seeing how others react to it, and seeing also how it can become a melody and how it can really take off from your experience. It's a way of seeing life unfold on the page before me.
Before I ever begin writing a new story, I have to sketch my characters out on paper. It's part of my process of understanding who they are.
Gardener's , like everyone else, live second by second and minute by minute. What we see at one particular moment is then and there before us. But there is a second way of seeing. Seeing with the eye of memory, not the eye of our anatomy, calls up days and seasons past and years gone by.
For the artist who practises photography, capturing the image is learning how to sketch on some medium, but is only half the challenge; learning how to print is applying a subjective pallet to that sketch, and completes the creative process.
A lot of it came from seeing how kids responded to the character. They would dress up and some would reenact the sketch in its entirety and it got us thinking about those Halloween specials we'd see on TV as a kid, and we just thought 'David Pumpkins' would work perfect for sort of a throwback nostalgic Halloween special.
When you're writing a sketch, it has to be surrounded by a situation. It can't just be out of the air.
Sketch comes from everyday life. You can see someone on the street, and it can turn into a five-minute sketch.
In the final analysis the hierarchic pattern is nothing like the straightforward witness for organic evolution that is commonly assumed. There are facets of the hierarchy which do not flow naturally from any sort of random undirected evolutionary process. If the hierarchy suggests any model of nature it is typology and not evolution. How much easier it would be to argue the case for evolution if all nature's divisions were blurred and indistinct, if the systema naturalae was largely made up of overlapping classes indicative of sequence and continuity.
Writing books isn't a drastic departure from writing for the stage. I've always written in the long format, five, eight, 10-minute pieces rather than one-liners, so since writing books, the process hasn't changed much. A piece in my live routine can end up as part of one of my HBO specials, and it can also end up in one of the books.
I recognize thart even you, yourself, will change. Your ideals will change, your tastes will change, your desires will change. Your whole understandings of who you are had better change, because if it doesn't change, you've become a very static personality over a great many years, and nothing would displease me more. And so I recognize that the process of evolution will produce changes in you.
When somebody would come in with a sketch that was not so good, you figured out in a room how to make that sketch work.
By contrast with history, evolution is an unconscious process. Another, and perhaps a better way of putting it would be to say that evolution is a natural process, history a human one.... Insofar as we treat man as a part of nature--for instance in a biological survey of evolution--we are precisely not treating him as a historical being. As a historically developing being, he is set over against nature, both as a knower and as a doer.
Sketch shows change gears so drastically every two minutes. I think sketch shows are for sketch fans; they're not really for everybody.
I am fascinated by air. If you remove the air from the sky, all the birds would fall to the ground. And all the planes, too.
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