A Quote by Trevor Moore
I was very young, and I kind of decided I wanted to do comedy. My parents were musicians, so we traveled on a tour bus. You're in a different town every night; as a kid, you're trying to make friends fast. You try to be funny.
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I've always traveled, as a kid my parents moved me around, a different place in Germany every four years. But I got the travel bug when I was a kid, living in different countries.
I've tried really hard to care about things that were very different from my parents. I was curious if I could care about [money] on some fundamental level, and I couldn't. That wasn't the metric of success I wanted in my life. I've talked about this to my friends who are doctors and whose parents are doctors, or who are lawyers and their parents are lawyers. It's a funny thing to realize I feel called to this work both as a daughter and also as someone who believes I have contributions to make.
People have a comic bent or an angularity to their thinking, and those are the people who make jokes. And it's usually people who were in an environment, when they were young, where jokes were at a premium, or at least considered important to a life. My parents always listened to the comedy radio shows, we went to the comedy movies, and my parents appreciated comedy. So kids listen and follow what their parents like.
I liked comedy as a kid. When I was a kid, I'd go to sleep to, like, Bill Cosby albums every night. I'd listen to 'Bill Cosby Is A Very Funny Fellow... Right!' and 'Wonderfulness,' which are two of his most famous albums. Then the next night, I'd flip them over, 'cause it was the old stackable turntable.
Whatever I did, I always gravitated toward trying to be funny. If I was with friends, we were joking around. If I wrote for the newspaper, it would be a humor column. If I acted, I wanted to do comedy.
MY ACT IS 'NOTHING BUT COMEDY. I TALK SOUTHERN BECAUSE I PICKED IT UP WHEN I MOVED TO THE SOUTH. IM NOT TRYING TO MAKE ANY SOCIAL POLITICAL POINT, NOR AM I TRYING TO MAKE FUN OF REDNECKS. I GREW UP A COUNTRY KID AND WILL ALWAYS BE ONE. I GREW UP WITH PEOPLE THAT SAID CERTAIN THINGS FUNNY AND I PREFORM USING THE SAME LANGUAGE BECAUSE I FIND IT HYSTERICLE. THATS IT. ITS A COMEDY SHOW THAT IS FUNNY AND THATS IT.
As a kid, as a young actor, I really wanted to pop. I wanted to create something different. I wanted to be Sean Penn, but I didn't have all the words to be Sean Penn. But I was trying to do something different in every role.
There were years of that stuff that will never leave me. Never. When the bus turned a million miles - that's a lot of traveling. It's really cool to think about. I'm blessed to have traveled a million miles on a tour bus.
I don't really like living in a very small space, like a tour bus, even though I have an amazing tour bus, and I've had multiple tour buses. It's still not a lot of room.
I grew up in a town where there were no adults over forty who weren't somebody's parents. It was, unfortunately, the kind of town that's a "great places to raise kids" - that's basically code for "there are no adults here who are not parents." I had a few teachers who were kind of weirdo drama teachers and were hugely influential.
I was little there were times I wanted my parents to be normal. I wanted them to have a religion. I wanted them to have a job, like the parents of every other kid I went to school with.
Especially with a comedy, you've got the clear cut goal of trying to make a scene funny. It's not like drama where you're trying to achieve some kind of emotion or trying to further the story along. You're trying to figure out what's the funniest way to do something.
My parents both worked; I was a 'latchkey kid.' We were lower-middle class, and they did everything that they could to give me anything I wanted, within reason. We were not rich by any stretch of the imagination, but being an adopted kid, I think we had a different connotation. My parents tried extra hard, I think.
I was living in upstate New York, in Kingston - small town, no comedy scene except for my friends and I doing these DIY shows and whatnot. And we put together this thing called the 'Altercation Punk Rock Comedy Tour.'
My family are very supportive and always have been. They weren't the kind of parents that pushed me into it. I know a lot of parents of kid actors I've worked with have pressured them into acting, but my parents are different. I'm really lucky to have them because they let me make my own decisions.
I call it "being interrupted by success." We had done The Soft Bulletin, which came out in 1999, and we knew we that were gonna make another record before too long. But in between this, we were still in this mode of kind of just - not re-creating what we could be, but kind of doing different things. For the longest time in the Flaming Lips we were like, "Make a record, go on tour. Come back, make another record," and you know, I think, frankly, we were kind of like, "There's more to life than just recording records and going on tour."
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