A Quote by Trevor Paglen
Creating artworks, writing and publishing novels, poetry, music, or conducting art-historical research requires support. So does everything else in the world, from physics to fish and wildlife management to human-rights advocacy.
Related Quotes
Mississippians for the most part appreciate U.S. Fish and Wildlife Service management of our wildlife refuges and other natural resources.
Writing historical novels can be dangerous. We need to be as accurate and as fair about the historical record as we can be, at the same time as creating our fictional characters and, hopefully, telling a good story. The challenge is weaving the fiction into the history.
What would it mean if there were a theory that explained everything? And just what does "everything" actually mean, anyway? Would this new theory in physics explain, say the meaning of human poetry? Or how economics work? Or the stages of psychosexual development? Can this new physics explain the currents of ecosystems, or the dynamics of history, or why human wars are so terribly common?
For all the sublimity of art, physics, music, mathematics, and other manifestations of human genius, everything depends on the mundane, frustrating, often debased vocation known as politics (and its most exacting subspecialty - statecraft). Because if we don't get politics right, everything else risks extinction.
With my human rights advocacy, that's always been through my writing. I've always tried to write articles and contribute to journals and a lot of online journals - about human rights, especially Palestinian human rights. I find the time to do things to do things I'm passionate about, because I find enjoyment in them. I just have to juggle.
Theoretical physics hardly requires any research funding, so I never felt the need. The overall government and institutional support has been good enough for my work.
Pound described poetry as original research in language, and just as formal experiment in poetry has to try things and has to go too far, so does experiment with writing about politics in poetry and what the politics of poetry is.
We're all just animals. That's all we are, and everything else is just an elaborate justification of our instincts. That's where music comes from. And romantic poetry. And bad novels.
Poetry, plays, novels, music, they are the cry of the human spirit trying to understand itself and make sense of our world.
If an artist does not have an erotic involvement with everything that he sees, he may as well give up. To be a human being may a very messy thing, but to be an artist is something else entirely, because art is religion, art is sex, art is society. Art is everything.
The World Wide Web is precisely what we were trying to PREVENT. We long ago foresaw the problems of one-way links, links that break (no guaranteed long-term publishing), no way to publish comments, no version management, no rights management.
The romanticised life, where all the great poetry and music and art of the world comes from, is great but it requires a lot of self-indulgence.
Rights compliance helps effective outcomes, it does not hinder them. That should come as no surprise because the 'human rights' in the Human Rights Act are the rights adopted in the aftermath of the horrors of the second world war, and are designed to protect all of us from oppression.
Music's always part of my writing. I think all art is interconnected. You can't create or experience one without its influences bleeding into another. In my writing, music's mostly something that feeds my inspiration and mood while I'm writing, but it's also taught me how to score scenes and even novels. The rise and fall of the storyline echoes the flow of a good piece of music.
I think of poetry as something out there in the world and within each of us. I don't mean that everyone can write poetry - it's an art, a craft, it requires enormous commitment like any art. But there's a core of desire in each of us and poetry goes to and comes from that core. It's the social, economic, institutional gap that makes it difficult.
The gene therapies on my body are to measure the effects on humans. There is plenty of animal research to support these gene therapies but no one was conducting human tests.
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