A Quote by Trevor Paglen

The most famous secret base, I guess, would be Area 51, which a lot of people have heard of as a kind of mythical place. Well, it's a real place. — © Trevor Paglen
The most famous secret base, I guess, would be Area 51, which a lot of people have heard of as a kind of mythical place. Well, it's a real place.
In many previously classified documents relating to activities at the base, the words 'Area 51' are conveniently blacked out. There's always a euphemism for it - like 'the test facility' or 'the base' - but never 'Area 51.'
The idea that Area 51 was this test facility working to move science and technology faster and further than any other nation is true and is one of the great hallmarks of Area 51. There are other areas of the base that are controversial - but they both exist simultaneously - out there in the desert.
Well, my thoughts about California are kind of mythological. To me, as well as being a real place, it's a place where people go to find something - to find happiness or to realize their dreams. So it has that kind of quality of heroism and heartache, and Australia has that, as well.
Well "I do" are the two most famous last words. The beginning of the end. But to lose your life for another I've heard is a good place to begin.
The Oval Office is a place where there's been, obviously, a lot of amazing experiences over a seven-and-a-half year period. My presidency is one where I've had to make some very tough decisions. I guess some presidencies are kind of - were real smooth, there were no real big issues. Well, that's not the way mine is.
For me, New Jersey is kind of a mythical place. It's emblematic of a certain aspect of American life. Florida is the same way. It's where people go to recreate, to reinvent themselves. It's what California used to be. I think Florida is still a place to erase the past.
If people would just wake up to what's real, there would be no misery in the world. I guess chanting's a pretty good place to start.
You have to remember that writing those sorta songs is not reality, it's more like trance, dream, y'know, like dreamwork. The mythical thing can enter the creating but there's the mythical place and the real place. And there's both...I get it between waking and sleeping. Or, when I'm doing something else. I don't sit down and think I'm gonna write about subject X or subject Y. I could be doing something and an impression comes in from outside and the song emerges out of that. It's never thought about or contrived.
It seems to me that whether it is recognized or not, there is a terrific frustration which increases in intensity and harmfulness as time goes on, when people are always daydreaming of the kind of place in which they would like to live, yet never making the place where they do live into anything artistically satisfying to them. Always to dream of a cottage by a brook while never doing anything to the stuffy house in the city is to waste creativity in this very basic area, and to hinder future creativity by not allowing it to grow and develop through use.
Just as Jesus predicted, what originates in the secret place won't always remain a secret. ... How do we guard -- or maybe it would be more appropriate to say, guard against -- our hearts? How do we monitor what's going on in that secret place that has the potential to go public at any moment?
Everything that goes on at Area 51 is classified 'top secret' when it's going on.
I’ve had that kind of experience myself: I’m looking at a map and I see someplace that makes me think, ‘I absolutely have to go to this place, no matter what’. And most of the time, for some reason, the place is far away and hard to get to. I feel this overwhelming desire to know what kind of scenery the place has, or what people are doing there. It’s like measles - you can’t show other people exactly where the passion comes from. It’s curiosity in the purest sense. An inexplicable inspiration.
I wonder what my father saw in his most secret sight of the right life. It's my guess he wanted to live out his life surrounded by friends and children and fertile fields of his own designing. I tihnk he wanted to die believing he had been in one the creation of a good sweet place. Those old pilgrims believed stories in which the West was a promise, a far away place where decent people could escape the wreckage of the old world and start over. Come to me, the dream whispers, and you can have one more chance.
Long John would sometimes hold his interviews in the Carnegie Delicatessen, which is the most famous delicatessen in New York up by Carnegie. Let's see, 57th Street, you're down to like 50th Street and 7th Avenue... You'd go in there and everybody would be eating a heart attack on a plate, pastrami, malts, that kind of stuff. But it literally was the place where Woody Allen would go.
I live in the same house I’ve lived in for 25 years. I haven’t gone off and bought mansions, you know, even though my subject is living… living in a mansion wouldn’t do for my readers. I have to keep my credibility alive with my readers, so we’re in the same place. I just make that place nicer and nicer. And… and that’s a secret. And people don’t know that. People think, oh, she lives in this fabulous place, it’s the same old place. It started out like a farm, it got to be a farmette, then it got to be an estatelet. I built a wall, it helped a lot. But it’s the same place, the same grounded nature.
My experience with life is that it's very fragmented. In one place certain kinds of thing occur, and in another place a different kind of thing occurs. I would like my work to have some vivid indication of those differences. I guess, in painting, it would amount to different kinds of space being represented in it.
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